5.9 | / 10 |
| Users | 4.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
Levon Cade left his profession behind to work construction and be a good dad to his daughter. But when a local girl vanishes, he's asked to return to the skills that made him a mythic figure in the shadowy world of counter-terrorism.
Starring: Jason Statham, Michael Peņa, David Harbour, Jason Flemyng, Merab Ninidze| Action | Uncertain |
| Thriller | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: Dolby Digital 5.1 (640 kbps)
Spanish: Dolby Digital 5.1 (640 kbps)
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 0.0 | |
| Audio | 4.0 | |
| Extras | 0.0 | |
| Overall | 3.0 |
A mid-tier action vehicle that's better than last year's resoundingly bad The Beekeeeper (he says, damning with faint praise), David Ayer's A Working Man is only half bad but gets a courtesy bump to 3/5 for a few decently inspired action scenes and set pieces. Relying on similarly goofy characters, eye-rolling lore, ultra-convenient plot developments, and obligatory open-ended sequel tease, this decently watchable production at least starts with a grounded setup before devolving into unintentional comedy in its worst and/or best moments, which I can't always tell apart.

Joe's go plenty of rivals in the business, but it turns out that his daughter's disappearance was a random kidnapping. Levon picks up her trail incredibly quickly, which first leads him to a low-level drug dealer bartending at the place Jenny was last seen. Not surprisingly, his search continues up the ladder until it's discovered that Jenny's kidnapping was tied to members of a Russian mob known as "The Brotherhood", where young women are routinely snatched up for wealthy elites to choose from. Taking down multiple layers of an international conspiracy? That'll be a challenge for Levon, as will sorting out his own personal life in the process: his wife committed suicide years ago and their precocious young daughter Meredith (Isla Gie) remains in the custody of grumpy grandpa Dr. Jordan Roth (Richard Heap).
There's a lot to unpack during A Working Man, whose tangled narrative feels like a cinematic B-tier video game with intermittently cheesy dialogue, "boss levels", and rapid-fire action to smooth over some of the rough road. Its claim to fame is undoubtedly a co-writing credit for none other than Sylvester Stallone... which definitely checks out, because small but noticeable elements of A Working Man clearly share similarities with several of Sly's earlier films including Rambo (2008), from certain elements of its narrative to the peppered use of gruesome, stylized violence. Now that's a film I've actually got a soft spot for, mostly due to its breakneck pace and ruthless commitment to efficiency.
Sadly, A Working Man doesn't share those positives, instead feeling like every bit of its padded 116-minute runtime. But there are at least a few bright spots along the way and, as mentioned before, the setup is decently grounded which carries over into the first leg of Levon's journey. A Working Man gradually devolves into borderline lunacy as it lumbers along, though, with more than a few ridiculous characters saying and doing things that often work against any sense of needed realism. From a pair of ridiculous thugs (Greg Kolpakchi and Piotr Witkowski, playing nephews of mob enforcer Symon Kharchenko [Andrej Kaminsky]) to bumbling lackeys Viper and Artmeis (Emmett Scanlan and Eve Mauro, who's particularly terrible here) and even Levon's inner circle (including his father-in-law, Marine buddy, and daughter), A Working Man is absolutely packed with characters who intermittently stand out for very odd reasons.
In that sense it shares a lot of the flaws of The Beekeper, but A Working Man's occasionally better aspects elevate it notably above that bafflingly popular film. The action isn't always tight and seamless but really works when it is, and this production as a whole feels a lot more polished than The Beekeeper on a similar budget. What I'm saying is that A Working Man clearly isn't great but it's at least a more watchable and worthwhile effort than most of director David Ayer's recent work, and I'd much rather see a future sequel to this than, well, you-know-what.
Released to fairly mixed reviews (including a particularly harsh 3/10 in Brian Orndorf's theatrical coverage) but box-office receipts that narrowly avoided "bomb" territory, A Working
Man is now available as separate 4K UHD and Blu-ray (review forthcoming) editions. Like most new-release titles owned by MGM but
distributed by WB, both versions are featureless but serve up proportionately decent A/V merits. As such, it's aimed more at established fans.

NOTE: These screenshots are sourced directly from the 4K disc but have been auto-leveled at 1080p/SDR and thus should not be considered an accurate representation of quality in terms of brightness level, color, and detail.
MGM's 2160p/HDR10 transfer is oddly not equipped with Dolby Vision as it was in theaters, but almost every other aspect of this presentation is decently up to par with expectations. It's a predominantly dark and dimly-lit affair and this transfer rises to the challenge, rarely showing any signs of compression artifacts while running at a supportive bit rate that soldiers through fog, heavy gradients, and harsh artificial light with only a few scratches to show for it. Color representation and image detail are both generally quite good, only occasionally looking mushy in the most extreme circumstances which is potentially unavoidable. Fast-moving action only exhibits a few stray flaws (ghosting, slight motion blur) when it's likely part of the source material. The HDR10 presentation holds its own weight by bolstering specific colors set against flat black as well as tamping down extreme brightness to more readable territory. Overall, this is a satisfying effort yet might have benefitted slightly from a full triple-layer (100GB) authoring job.

The Dolby Atmos presentation is obviously an active one, whether it introduces subtle atmospheric ambiance, supports the original score and soundtrack, or or course comes fully alive during the numerous action scenes. Height channels are sporadically used but generally bring a lot to the table when they do kick in, especially during one standout brawl in the back of a van as well as the film's aggressive final series of showdowns. LFE also adds its own weight when needed, supporting heavier gunshots, stray explosions, and the dull thud of limp bodies hitting walls and floors. That said, it's a little patchy at times and the dialogue is occasionally buried in the mix, but that could very well be due to the variety of heavy foreign dialects including Statham's increasingly gravelly Cockney accent. Overall, though, this is a decently solid effort that likewise doesn't achieve perfection but delivers the goods at critical moments.
Optional English (SDH) subtitles, as well as a few foreign dubs and subs, are also included.

This one-disc release ships in a keepcase with a matching matte-finish slipcover and a Digital Copy redemption code. No bonus features are included, but you can check out the official trailer here.

David Ayer's A Working Man is better than his last film The Beekeeper (another lower-rent actioner with Statham in similar circumstances)... but that's not really saying much, is it? There are obvious flaws here but only some of them stand in the way of a better film, resulting in a patchwork and occasionally frustrating affair that nonetheless delivers a few solid genre-fueled highlights. WB/MGM offers separate 4K and Blu-ray options; both are sadly featureless, but with proportionately decent A/V merits. Mildly Recommended to fans, but newcomers should try before they buy.

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