7.3 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Four independent stories set in modern China about random acts of violence.
Starring: Tao Zhao, Baoqiang Wang, Wu Jiang, Sanming Han, Hongwei Wang (I)Foreign | 100% |
Drama | 48% |
Crime | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
Mandarin: DTS-HD Master Audio 5.1
English
50GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.0 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 1.0 | |
Overall | 4.0 |
The director of “Still Life” and “Unknown Pleasures,” director Zhangke Jia continues his commentary on Chinese society with “A Touch of Sin.” Gathering four tales of despondency and behavioral extremity, the helmer embarks on an odyssey of desperation, tackling issues of corruption and dismissal that guide the characters to situations of impulse and reckoning that alters their lives forever. Sold in a meditative manner that makes the innate horror of the stories all the more terrifying, “A Touch of Sin” is an evocative and devastating portrait of demoralization, with the origins of these tales based partly on factual events. However, the intermittent intensity of the effort doesn’t carry throughout, as gaps in understanding add up in the end, leaving these tattered people and their woe curiously unexplored beyond key details that lead to their unraveling. It’s a strikingly shot picture with some genuine dramatic weight, but as an overall piece of understanding, the movie leaves too much obscured, keeping the viewer in the dark despite some incredibly intimate acts of deliberation.
The AVC encoded image (2.35:1 aspect ratio) presentation brings an HD-shot production to Blu-ray without any major concerns. Some banding is detected, and while blacks are largely open for inspection, a few instances of crush remain, but nothing that destroys frame information. Colors are crisp and defined, spotlighting naturalistic hues and more artificial ones once the action hits the city, finding neon glow served well here, while costuming also sustains visual personality. Skintones are true throughout. Fine detail is important, allowing the viewer to examine facial particulars that express subtle emotions, capturing textured reactions, and locations are easily explored through fresh, crisp images.
The 5.1 DTS-HD MA sound mix for "A Touch of Sin" doesn't explore the fullness of the home theater space, with most of the track offering a frontal position, rarely searching through the surrounds outside of scoring cues and a few atmospheric changes. Dialogue exchanges are crisp and clean, with a healthy balance of voices managed well, keeping away from brittle highs and muddy lows. Scenes featuring street life are also communicative, retaining a natural bustle. Scoring cues are sharp and expressive, with satisfactory instrumentation and an accurate supportive position that doesn't smother the performances.
There are a few indulgent scenes of abstraction that feel alien to the humanist effort put forth, yet nothing derails the focus of "A Touch of Sin." Satiric touches register clearly, even to foreign viewers, and the director's interest in exposing the disparity of life in China never wavers, painting a fascinating portrait of disposable people reclaiming their importance, albeit in vicious ways. The film's technical credits are superb, highlighting expanse and claustrophobia, and editing duties are smoothly executed. "A Touch of Sin" has cinematic qualities worth extensive study, but it always returns to an intimate place of reflection, remaining with the characters as they reach a point of no return. It's not always an easy picture to endure or even understand, but when it locates that primal sensation of frustration and discouragement, it pulls off the shadings of human behavior with stunning accuracy.
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