7.7 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Ishun is a wealthy, but unsympathetic, master printer who has wrongly accused his wife and best employee of being lovers. To escape punishment, the accused run away together, but Ishun is certain to be ruined if word gets out.
Starring: Kazuo Hasegawa, Kyôko Kagawa, Eitarô Shindô, Eitarô Ozawa, Yôko MinamidaForeign | 100% |
Drama | 52% |
Romance | 9% |
Period | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
Japanese: LPCM Mono (48kHz, 24-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.5 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 2.0 | |
Overall | 4.0 |
Kenji Mizoguchi's " A Story from Chikamatsu" (1954) arrives on Blu-ray courtesy of Criterion. The supplemental features on the disc include an exclusive new video interview with actress Kyoko Kagawa, and an exclusive new video essay created by film scholar Dudley Andrew. The release also arrives with an illustrated booklet featuring an essay by Haden Guest, as well as technical credits. In Japanese, with optional English subtitles for the main feature. Region-A "locked".
How can it be?
Presented in its original aspect ratio of 1.37:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Kenji Mizoguchi's A Story from Chikamatsu arrives on Blu-ray courtesy of Criterion.
The following text appears inside the leaflet that is provided with this Blu-ray release:
"Supervised by cinematographer Masahiro Miyajima and filmmaker Martin Scorsese, this new 4K digital restoration was undertaken by Kadokawa Corporation and The Film Foundation, in cooperation with the Japan Foundation, from a 35mm fine-grain scanned at Cineric in New York on the facility's proprietary 4K high-dynamic-range wet-gate film scanner. The original monaural soundtrack was remastered from a 35mm variable-density optical soundtrack and restored by Audio Mechanics in Burbank, California.
Colorist: Daniel DeVincent/Cineric.
Head of visual restoration: Seth Berkowitz/Cineric."
I have to say that this is the best all-around restoration of a Kenji Mizoguchi film that I have seen to date. What impressed me the most is not the outstanding delineation, clarity, and balance of the daylight footage, but the excellent and incredibly nuanced dark/nighttime footage. There are ranges of native nuances that are typically quite difficult to reveal on restorations of other Japanese films from the same period, but here they are wonderfully defined and exposed. If you view your films on a very large screen, or project them, you will be impressed too. I guaranteed it, because there really aren't that many elaborate restorations of period Japanese films that reveal this particular type of consistent quality. As expected, grain is very fine and nicely resolved, and there are no traces of sharpening adjustments or other digitally-introduced anomalies. Image stability is excellent. Also, the entire film has been carefully cleaned up and looks spotless. Fantastic restoration. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: Japanese LPCM 1.0. Optional English subtitles are provided for the main feature.
The lossless track is stable, clean, and with some surprisingly good dynamic qualities. For example, when traditional Japanese instruments are used to enhance the dramatic atmosphere, dynamic intensity is excellent. Elsewhere the background noise and the dialog are also very nicely balanced, and as a result clarity never suffers. Also, if there ever were any conventional age-related imperfections, such as hum, hiss, and uneven high-frequencies, it is impossible to tell now.
The hypocrisy and cynicism that are targeted in Kenji Mizoguchi's classic film have actually been entirely legitimized since the 1950s. What is different now is that there are wider ranges of mechanisms to either completely hide or 'logically' excuse them. Basically, it is a lot easier to create victims like Mohei and Osan, and then destroy them so that the 'proper' status quo is preserved. I liked the film a lot, it is beautiful, but it also made my blood boil because I could see so many parallels to various events from our daily news cycles. Criterion's Blu-ray release is sourced from an excellent 4K restoration, which is the best that I have seen done for a Mizoguchi film to date. Do not miss this release. VERY HIGHLY RECOMMENDED.
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