7.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
Two cousins travel to Poland after their grandmother's death to see where they came from and end up joining a Holocaust tour.
Starring: Kieran Culkin, Jesse Eisenberg, Will Sharpe, Daniel Oreskes, Liza Sadovy| Drama | Uncertain |
| Comedy | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1
French: Dolby Digital 5.1
Spanish: Dolby Digital 5.1
German: Dolby Digital 5.1
English SDH, French, German, Spanish, Czech, Danish, Dutch, Finnish, Polish, Swedish
Blu-ray Disc
Single disc (1 BD)
Digital copy
Slipcover in original pressing
Region A, B (C untested)
| Movie | 4.0 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 1.0 | |
| Overall | 4.0 |
There was an iconic ad campaign that ran for years starting in the early sixties to promote a popular New York City bakery which had a well remembered tag line stating You don't have to be Jewish to enjoy Levy's. The tag line became so recognizable that it was actually ported over, at least in part, to a hugely successful comedy album in 1965 called You Don't Have to Be Jewish, an effort which was co-written by Bob Booker who had made the parody album The First Family (that would be the Kennedys) a Number 1 smash on the charts and a Grammy Award winner. In a similar vein some may state you don't have to be Jewish to get A Real Pain, though the story Jesse Eisenberg presents in this generally sweet if occasionally emotionally harrowing tale should certainly resonate even more strongly with Jews, especially those who have relatives who survived the Holocaust. Eisenberg is on hand in an appealing featurette which serves as this disc's sole supplement where he mentions how gobsmacked he was one day to stumble across an ad for concentration camp tours — with lunch included. That huge disconnect provided a spark of inspiration, though the aspect of children (or grandchildren) of survivors taking "luxury vacations" to tour Holocaust sites turns out to be something of a sidebar (if a rather potent one), in a film that is in essence more of a family drama dissecting the roiling relationship between cousins David (Jesse Eisenberg) and Benji Kaplan (Kieran Culkin, Academy Award nominated for this performance).


A Real Pain is presented on Blu-ray courtesy of Searchlight Pictures and Disney / Buena Vista with an AVC encoded 1080p transfer in 1.85:1. As of the writing of this review, the IMDb lists the Arri Alexa Mini as having captured the imagery, but fails to specify the resolution of the DI (I suspect 2K). This is a really appealing looking transfer for the most part, with solid and precise renderings of fine detail on practical items like sets and costumes, and with a healthy palette that may arguably have just a bit of a blue undertone in some footage. Eisenberg mentions some of the stylistic decisions made in terms of framings and "following Kieran around", but detail levels remain nicely consistent despite any decisions made in this regard. There are some very low light moments in the concentration camp in particular where shadow detail is not especially abundant.

A Real Pain features a DTS-HD Master Audio 5.1 track that is fairly subtle in its use of the surround channels, but which does provide noticeable immersion in the outdoor material in particular. Some of the more bustling moments, as in the bookending scenes at the airport, probably have the most enveloping use of the side and rear channels, but even quieter sections can have nicely placed ambient environmental effects. The score is made up almost entirely of solo piano performances of Chopin pieces, and sounds fine. Dialogue is rendered cleanly and clearly throughout. Optional subtitles in several languages are available.


A Real Pain is a rather rare achievement for Eisenberg, in that it's uniquely "personal" to his own experience (as he mentions in the supplemental featurette, that's his actual Great Aunt's house in Poland serving as David and Benji's Grandmother's ancestral home toward the end of the film), while also being more "universal", as I've perhaps hinted at with my opening paragraph above. There's a lot of penetrating emotional content here, which may make just a few of Eisenberg's more fanciful writing decisions a bit questionable, but Culkin is especially riveting in a difficult role that requires him to be both charming and kind of disgusting in about equal measure. My hunch is Culkin probably has the inside track to take home the Best Supporting Actor Oscar in another month or two. Technical merits are solid and the one supplement very enjoyable. Recommended.

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