6.8 | / 10 |
Users | 4.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Paris,1910. Emile, a shy movie projectionist, and Raoul, a colorful inventor, find themselves embarked on the hunt for a monster terrorizing citizens. They join forces with Lucille, the big-hearted star of the Bird of Paradise cabaret, an eccentric scientist and his irascible monkey to save the monster, who turns out to be an oversized but harmless flea, from the city's ruthlessly ambitious police chief.
Starring: Vanessa Paradis, Sean Lennon, Jay Harrington, Adam Goldberg, Gad ElmalehFamily | 100% |
Animation | 92% |
Adventure | 78% |
Fantasy | 71% |
Comedy | 32% |
Music | 6% |
Foreign | Insignificant |
Video codec: MPEG-4 MVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1
English: Dolby Digital 2.0
English
25GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Digital copy (as download)
DVD copy
Blu-ray 3D
Slipcover in original pressing
Region A (C untested)
Movie | 3.0 | |
Video | 5.0 | |
Audio | 4.5 | |
Extras | 0.5 | |
Overall | 3.5 |
Georges Feydeau was a master farceur who may have been active during the so-called Belle Époque but whose lively comedies harkened back to other iconic French playwrights like Molière. One of Feydeau’s most beloved farces was A Flea in Her Ear, a perfect example of the “slamming door” approach to comedy, with characters storming in and out of rooms, a glut of mistaken identities, politically incorrect elements like people with speech impediments and of course “l’amour” both sacred and profane leading to uproarious laughter. But isn’t that title just a bit—well, odd? The phrase has been around for centuries and was evidently originally meant to convey provoking desire in someone, which later morphed into provoking suspicion or jealousy in someone, but as far as metaphors go, it’s certainly on the bizarre side. Someone involved with A Monster in Paris, a charming if not entirely successful French animated effort from 2012, was decidedly more of a literalist, for the film includes an actual flea in an actual ear at one point, an obvious if whimsical reference to both the long-lived phrase and Feydeau’s famous play. But getting to that visual pun is a rather convoluted path that includes a mousy film projectionist (is there any other kind?), a machinating deliveryman, a corrupt police official, a sweet ticket booth salesgirl, a frustrated cabaret singer and, not to put too fine a point on it, a certain insect that is more commonly thought of as afflicting the itchiness of canines rather than humming into anyone’s ear. A Monster in Paris received rather rapturous reviews during its theatrical exhibition in France in 2012, but the film failed to catch on at the box office. Unfortunately, there are some problems that might be fall into the general category of “lost in translation” with regard to the English language version presented on this Blu-ray, and my hunch is the film may not get much of an audience on this side of the pond in its home video version, despite having a largely winning animation style and a relatively unusual plot. For those who are willing to cut the film a little slack, however, there’s an uncommonly charming ambience to A Monster in Paris that may not rise to Feydeau’s manic level of farce, but which has a gently amusing air that should appeal to children of all ages.
A Monster in Paris is presented on Blu-ray courtesy of Shout! Factory with both AVC (2D) and MVC (3D) encoded
1080p transfers in 1.85:1. The film has an often incredibly winning animation style, though it tends to dabble more in
diffuse lighting conditions and paler colors that may lead some to believe this high definition presentation doesn't pop with
the same "wow factor" that many American animated features regularly offer. There's been an obvious attempt to mimic
some of the better known poster (and other) artists of the Belle Époque, and so we're shown sometimes rather Baroque or
Rococo settings that are filled with admirable detail, inhabited by some generally distinctive (though at times kind of generic
looking) characters (Francoeur is delightful, though he looks like a gigantic blue mutant version of some of the characters in
A Bug's Life or Antz). The film
was created entirely in the digital realm, and so the transfer
here is exceptional on purely technical terms, offering an artifact free recreation of that original digital version.
The 3D presentation is somewhat less successful, due in fact in part to the kind of pastel driven color palette and the hazy
Parisian environments that Bergeron tends to favor. The film regularly tries at least to offer forefront objects with clearly
delineated planes of depth offering a semblance of background perspective, but the overall feeling here is just a bit on the
lackluster side. The best effects tend to be (perhaps ironically) in close-ups, where there's actually less to look at. Little
scenes like Francoeur's bony blue fingers reaching for an object actually provide a better sense of 3D immersion than some
of the wider shots, which suffer from relative flatness and shallowness.
A Monster in Paris features a lossless DTS-HD Master Audio 5.1 track that does a fantastic job of creating consistent surround activity as well as offering some very fun musical elements (co-written by Paradis). The bustling streets of Paris offer a glut of foley effect opportunities, including some great panning effects as Raoul madly drives his delivery truck (named Catherine) through winding streets. Other environments, including the greenhouse and the cabaret, offer really nicely rendered ambience, with a lot of depth and environmental nuance (the sounds in the greenhouse are especially evocative and benefit from great discrete channelization). Fidelity is excellent, with dialogue, effects and the very charming score very well prioritized. Dynamic range is relatively restrained, though there are some occasional bursts of activity that offer some variety.
Americans have gotten pretty spoiled over the past several years with a number of stellar animated features from Pixar, Disney and DreamWorks (among many others). The bar is so much higher now that features that might otherwise be seen as incredibly ingratiating are perhaps unfairly maligned as not capturing magic in a bottle in quite the same way (or to the same extent) as the blockbusters that regularly fill American cineplexes. That's probably the case with A Monster in Paris as well. The film is undeniably charming, with a breezy animation style and a generally engaging plot, and yet it fails to really connect with the audience in that "straight to the heartstrings" way that so many Pixar features especially seem easily able to. This film is no doubt going to appeal to younger kids especially, who will probably be entranced with the visuals. Older audiences will probably love those same visuals but wonder where the magic underpinning them is. This Blu-ray offers superior video and audio, and with caveats noted, comes Recommended.
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