6.7 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
An American businessman visiting Lisbon gets mistaken for a British secret agent who stole some diamonds. As a result, he has everybody in Lisbon after him.
Starring: James Garner, Melina Mercouri, Sandra Dee, Anthony Franciosa, Robert Coote| Thriller | Uncertain |
| Comedy | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.35:1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
| Movie | 3.5 | |
| Video | 5.0 | |
| Audio | 5.0 | |
| Extras | 2.5 | |
| Overall | 3.5 |
Ronald Neame's "A Man Could Get Killed" (1966) arrives on Blu-ray courtesy of Kino Lorber. The supplemental features on the release include new audio commentary by mystery writer and filmmaker Max Allan Collins and podcaster Heath Holland; new audio commentary by critics Steve Mitchell and Troy Howarth; and vintage trailer. In English, with optional English SDH subtitles for the main feature. Region-A "locked".

I am not your guy, believe me.

Presented in an aspect ratio of 2.39:1, encoded with MPEG-4 AVC and granted a 1080p transfer, A Man Could Get Killed arrives on Blu-ray courtesy of Kino Lorber.
While technical details are not provided, it is painfully obvious that A Man Could Get Killed has been fully restored at Universal. The entire film looks sensational on Blu-ray, dramatically better than numerous films that have been recently restored in 4K and released on 4K Blu-ray and Blu-ray. I could not be any more pleased with its current appearance.
Delineation, clarity, and depth range from excellent to outstanding, and the density levels of the visuals are fantastic. Unsurprisingly, on my system, all areas of the film looked terrific. There are no traces of any problematic digital corrections. The original cinematography sporadically overexposes or underexposes some of the grain, but all of these changes are very natural. Color reproduction and balance are excellent. All primaries and supporting nuances are properly set, ensuring that the entire film has a very accurate period look. Image stability is great. I did not see any distracting large debris, cuts, marks, warped or torn frames to report in our review. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).

There is only one standard audio track on this Blu-ray release: English DTS-HD Master Audio 2.0. Optional English SDH subtitles are provided for the main feature. When turned on, they appear inside the image frame.
Music is consistently used to make the mayhem more attractive. However, I do not think that viewers will remember any particular areas of A Man Could Get Killed because the music there does something original. The action material sounds very good, but the dynamic contrasts there are modest, too. All dialogue is very clear, sharp, and easy to follow. I did not encounter any encoding anomalies to report in our review.


The Caper of the Golden Bulls, Grand Slam, Gambit, and Deadfall. All of these capers come from the 1960s, too, and entertain like A Man Could Get Killed. I think that all of them are superior films, but not in one particular way, so there are certain things that A Man Could Get Killed does a little bitter. I collect capers, but had never owned a copy of or seen A Man Could Get Killed, which surprised me a lot because it should have popped up on my radar over the years. Kino Lorber's release presents an outstanding restoration of it, completed at Universal. RECOMMENDED.