6.6 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A couple deep into their married years seek fresh pastures. David, a gynecologist, falls for one of his patients, while his wife, Marianne, flounces off to Copenhagen to renew her fling with a sculptor.
Starring: Eva Dahlbeck, Gunnar Björnstrand, Harriet Andersson, Åke Grönberg, Sigge FürstForeign | 100% |
Drama | 83% |
Romance | 15% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.38:1
Original aspect ratio: 1.37:1
Swedish: LPCM Mono (48kHz, 24-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 1.0 | |
Overall | 3.5 |
Note: This film is available on Blu-ray as part of Criterion's Ingmar Bergman's Cinema set.
It understandably may be well nigh impossible to choose an "all time greatest filmmaker" of the 20th century, if for no other reason than that personal
tastes differ, but I can't
imagine any "devoted cineaste" not having Ingmar Bergman at least near the top of their own aggregation. Criterion
has been feting
some iconic creative forces with expansive box set compendia of films, including Essential Fellini and
The Complete Films of Agnès Varda, but in terms of overall offerings and packaging extras, Ingmar Bergman's Cinema may
itself be sitting atop a list of finest Blu-ray collection offerings. Some of the films in this impressive collection have in fact had prior releases by
Criterion, as should probably be expected, but there are a fair number making their Blu-ray debuts. As tends to be the case with Criterion releases,
technical merits are also generally excellent, and the supplements can be very appealing.
A Lesson in Love is presented on Blu-ray courtesy of The Criterion Collection with an AVC encoded 1080p transfer in 1.38:1. Criterion's kind of overwhelming insert book offers nice summations of each film's transfer attributes, and the relevant data points for this film are as follows:
Picture element: 35 mm interpositiveA bit more information is imparted in a text card preceding the presentation that discloses the digital restoration was completed in 2015. This is a largely very winning presentation of a lesser known Bergman film. Detail levels are often quite impressive on any number of textures and patterns on everything from outfits to things like the upholstery on a train where David and Marianne "meet cute" (remeet cute?). Contrast is generally good, occasionally just slightly anemic at times, though with blacks solid for the most part and still nicely free of crush. There's recurrent if rather minor damage that has escaped whatever restoration gauntlet was undertaken. Eagle eyed videophiles may be able to spot any number of smalls nicks and blemishes, though nothing is ever very intrusive. Grain resolves naturally throughout the presentation. My score is 4.25. 2015 digital restoration from an interpositive
Scanner: Scanity
Transfer resolution: 2K
Sound element: 35 mm optical track
Picture and sound restoration: Swedish Film Institute
A Lesson in Love features LPCM Mono audio in the original Swedish. This is something of a talk fest, though there are occasional dollops of ambient environmental effects and a bit of music by Dag Wirén, all of which sounds fine if not overwhelmingly robust. Dialogue is presented cleanly and clearly throughout and I noticed no problems with regard to damage or dropouts. Optional English subtitles are available.
Criterion has packaged Dreams and this film together on one disc. After choosing A Lesson in Love from the main menu, the following supplement is accessible:
A Lesson in Love might have fared better in the overall Bergman filmography had it not been understandably overshadowed by the much more exuberant and thoughtful Smiles of a Summer Night. Still, as a kind of appetizer for that more substantial meal, A Lesson in Love is quite inviting on its own virtues, even if those qualities are a bit smaller scale and less resonant than Bergman was able to achieve a year later. Technical merits are solid, and the introduction by Bergman rather charming. Recommended.
(Still not reliable for this title)
2003
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