7 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
One night when seeking his estranged wife, Hoffmann goes to the youth center where she works. The police are there rounding up radicals who frequent the center - Hoffmann runs into the building and ends up being shot in the head. He awakens with brain trauma, partially paralyzed and unable to speak. The police accuse him of stabbing an officer; the radicals herald him as an innocent victim of police brutality. During his slow recovery at the hospital, Hoffmann must piece together his life and struggle to remember the events of that night.
Starring: Bruno Ganz, Angela Winkler, Hans Christian Blech, Heinz Hoenig, Hans Brenner| Foreign | 100% |
| Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.67:1
Original aspect ratio: 1.66:1
German: LPCM 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 2.0 | |
| Overall | 4.0 |
Akira Kurosawa's 1950 masterpiece Rashomon famously presents a conundrum whereby the audience isn't quite sure whose "version" of calamitous events is the "truth". Something quite similar is at play with regard to A Knife in the Head, though in this particular instance, unlike in Rashomon, imagine that the "victim" of the "murder" is still alive, but suffering from a debilitating brain injury as the result of having been shot in an alleged protest. That means his "version" of events is at least as questionable, and arguably more so, than some other folks' accounts of what happened. This is an often fascinating film that tends to blend an almost cinéma vérité approach with regard to the effects of the brain injury and subsequent slow and tortured recovery of the protagonist, with a somewhat more politically charged story that might seem eerily prescient for those who tend to subscribe to conspiracy theories involving those in power, specifically in this case, the police.


A Knife in the Head is presented on Blu-ray courtesy of Cohen Film Collection, an imprint of Cohen Media Group, with an AVC encoded 1080p transfer in 1.67:1. (Per recent Cohen tradition, this is also "sub-branded" as one of Cohen's Classics of German Cinema.) The front cover announces a new 4K restoration, though doesn't provide any further information. This is a nicely organic looking presentation that offers secure detail levels almost all of the time, save for a few selected nighttime scenes where fine detail understandable recedes. While a lot of this transfer boasts a rather warm palette, there are some noticeable variances in color temperature throughout the presentation, with several scenes looking decidedly cooler, even tinged with blue, and with some of the hospital material in particular not offering the same general levels of saturation that other scenes in the film do.

A Knife in the Head features an LPCM 2.0 track in the original German. The back cover of this release touts the first solo score by Irmin Schmidt, co=founder of what the cover calls the "legendary krautrock band Can", and the score provides a good deal of energy, especially in the midrange and low end. This is nonetheless a more dialogue driven outing, and the track supports all of the spoken material without any issues whatsoever. This is another Cohen release of a foreign language film where the label has authored the disc with forced English subtitles.


One of the fascinating things about Rashomon is that it made no bones that it was offering radically different "takes" on what was supposedly the same event. What's kind of a bit of subterfuge with regard to A Knife in the Head is that it seems to be painting one picture which, at least when compared to Rashomon, might be more "straightforward", but where the film still drops little hints that Hoffmann might have more than merely a debilitating brain injury to contend with. Ganz is really amazing in the film, and what are almost more documentary like sequences depicting his therapies are a fascinating counterpoint to the story of political scheming from those on both the left and right. Technical merits are generally solid and the two interviews included as supplements very interesting. Recommended.
(Still not reliable for this title)

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