6.5 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Mori Kazuo directs this follow-up to "A Certain Killer" with Ichikawa Raizo reprising his role as an ex-soldier who works as a hitman for the yakuza.
Starring: Raizô Ichikawa, Ichirô Nakatani, Kô Nishimura, Yoshio Kaneuchi, Saburô Date| Foreign | Uncertain |
| Crime | Uncertain |
| Action | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.42:1
Original aspect ratio: 2.35:1
Japanese: LPCM Mono
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 3.5 | |
| Audio | 3.5 | |
| Extras | 3.0 | |
| Overall | 3.5 |
Note: This film is available on Blu-ray as part of the A Certain Killer / A Killer's Key double feature set from Arrow Video.
A Certain Killer and A Killer's Key are kind of an interesting example of what might be called a "one two punch" or at least a
"one
punch that led to a two punch and then no further punches" in the annals of ostensible "franchises" in cinema history. That is at least somewhat
like
Our Man Flint and In Like Flint on this side of
the pond, in that an initial huge hit quickly led to a follow up sequel, with the nascent series then never really being heard from again. In an
admittedly
irrelevant if still kind of fun trivia data point, In Like Flint arrived at theaters in 1967, which is when both A Certain Killer and its
almost insanely quickly produced sequel A Killer's Key were exhibited in Japan. It may also be at least contextually relevant to note that
1967 was the year James Bond "visited" Japan in You Only
Live
Twice, a film which arrived globally right smack in between the release of the first and second / last films in the supposed "series"
currently
under
discussion. All of the above may admittedly be a bit more tangential than Seijun Suzuki's Branded to Kill, which insert booklet essayist Jasper Sharp mentions as having "emerged from the void fully
formed", helping to create a visceral subgenre featuring what Sharp calls a glut of 1967 films "focused on enigmatic contract killers". It may be
salient to point out, though, that according to online databases A Certain Killer was released in Japan on April 29, 1967, while
Branded to Kill came out on June 15, 1967, just a few days after You Only Live Twice premiered in fact. (A Killer's Key,
while as
alluded to above, made very quickly after A
Certain Killer, didn't arrive in theaters until December 2, 1967.)


A Killer's Key is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 2.42:1. Arrow's insert booklet lumps both films together in its brief verbiage devoted to the presentations:
A Certain Killer and A Killer's Key are both presented in their original aspect ratio of 2.35:1 with mono audio. The high definition masters were provided by Kadokawa.I'm not sure if the somewhat odd aspect ratio of this transfer indicates some underlying issue, but I did occasionally feel like this could look a bit anamorphically stretched (see screenshot 5). There presentation probably has a slightly less consistent clarity than the first film, but on the plus side, the palette has less of the dowdy brown and faded appearance, and both bright primaries and more nuanced hues like flesh tones look natural. There may still be just a bit of a yellowish undertone at times that can make reds skew slightly toward oranges. The presentation may also strike some as too bright at times, with a somewhat milky overlay that can slightly work against solid contrast. Grain resolves naturally.
Additional picture remastering work was completed by R3Store Studios, London. Additional audio remastering work was completed by Þorsteinn Gislason.

A Killer's Key features LPCM Mono audio in the original Japanese. There may be even a bit more hiss in evidence on this track than on A Certain Killer, as can be heard pretty clearly in the opening vignette featuring the needle being sharpened. That said, the actual sharpening sound is delivered despite any slight white noise backdrop. The music in this outing also struck me as kind of hilariously unexpected, and in this case I'd say it once again has weirdly Greek influences, albeit mixed liberally with polka, and, no, that's not a joke. Harpsichord cues can sound just a bit bright. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.

Arrow has packaged both of the films together on one BD-50. A Choose Film option is available from the Main Menu, and then the following Special
Features (some shared) are available under each individual film's submenu.
A Certain Killer

There may be just a bit too much of a "lather, rinse, repeat" element here, despite the kind of weird and unexplained transformation of the main character, but A Killer's Key still has some rather potent socioeconomic subtext and some especially evocative cinematography from Kazuo Miyagawa. Technical merits are generally solid and the supplements appealing and informative. Recommended.
(Still not reliable for this title)

ある殺し屋 / Aru koroshi ya
1967

1968

北陸代理戦争 / Hokuriku dairi sensô | Limited Edition
1977

脅迫 | Odoshi | Limited Edition
1966

続・網走番外地 / Zoku Abashiri bangaichi | Masters of Cinema
1965

現代やくざ 人斬り与太 / Gendai yakuza: hito-kiri yota
1972

1968

網走番外地 望郷篇 / Abashiri bangaichi: Bōkyō-hen | Masters of Cinema
1965

1968

1968

1968

Mottomo kiken na yuugi / 最も危険な遊戯 / Games of Maximum Risk
1978

1969

Great Collision / Boso panikku: Daigekitotsu / 暴走パニック 大激突
1976

男の顔は履歴書
1966

女囚さそり 殺人予告 / Joshuu sasori: Satsujin yokoku
1991

Jingi no hakaba
1975

Danger Point: 地獄への道
1991

8時間の恐怖 / Hachijikan no kyôfu
1957

Minagoroshi no kenjû
1967