6.9 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
A woman comes to New York City from Ohio to escape an abusive husband and gets entangled with murderous female vigilantes who prey on abusive men.
Starring: Deborah Twiss, Benja K. Thomas, Arthur J. Nascarella, Lord Kayson, Eric Mabius| Thriller | Uncertain |
| Crime | Uncertain |
| Drama | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 4.5 | |
| Overall | 4.0 |
1997’s “A Gun for Jennifer” is a study of vigilantism sold with coarseness from co-writers Deborah Twiss and Todd Morris (who also directs). It’s an exploitation film made during an era when such experiences were largely regulated to ultra low-budget features, endeavoring to return some roughness to the screen with its study of a female gang declaring war on predatory and violent men, with New York City the battle zone. “A Gun for Jennifer” attempts to lay in some plot to make the viewing experience a little more substantial, and it gets somewhere with an opening half dedicated to pace and vicious encounters. Twiss and Morris eventually lose concentration on storytelling basics, forcing the picture to crawl to a finale, but some raw energy remains in the movie, which definitely provides a snapshot of the city and its threatening atmosphere.


The AVC encoded image (1.33:1 aspect ratio) presentation is listed as "newly scanned and restored in 2K from its 16mm original camera negative." There's some mild color flickering that appears on occasion, but the viewing experience remains inviting and film-like. Grain is heavy and capably resolved. Detail reaches as far as possible, exploring the grungy interiors of the New York City location, and exteriors deliver depth. Skin particulars are appreciable, including makeup additions. Clothing is also decently fibrous. Skin tones are natural. Primaries are stable, examining decorative additions and city signage. Costuming is also distinct, along with red blood. Delineation is satisfactory. Source is in decent condition, with some wear and tear, and a few scratches.

The 2.0 DTS-HD MA mix deals with the low-budget nature of the production. Dialogue exchanges are clear, with argumentative behavior never slipping into distortion. Music offers decent support, mostly working with soundtrack selections from era-specific punk-ish bands, retaining such rowdy instrumentation and fuzzy vocals. Sound effects are sharp, dealing with gunshots and assorted violence. Urban and club atmospherics are appreciable.


"A Gun for Jennifer" carries some nervous energy, boosted by a lively soundtrack of punk-adjacent tunes and a live club performance to help pad the feature. Performances are mostly alert as well, understanding the broadness Morris is going for as he comes close to campiness, preferring some viciousness instead. It connects as intended for 45 minutes, paying tribute to the Female Revenge Movie Gods while endeavoring to make a mess of its own in NYC. However, the writing doesn't build into welcome chaos. It retreats into convention and retains some indecision when it comes time to settle on a story it wants to tell. "A Gun for Jennifer" is messy, and that's the point of it, but the production doesn't maintain inspiration, becoming a subpar Troma film instead.

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