7.3 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
A restauranteur teams up with a police officer and his ex-con brother to avenge the death of a friend's daughter.
Starring: Chow Yun-Fat, Leslie Cheung, Lung Ti, Dean Shek, Kenneth Tsang| Foreign | Uncertain |
| Crime | Uncertain |
| Melodrama | Uncertain |
| Action | Uncertain |
| Thriller | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
Cantonese: DTS-HD Master Audio Mono
English: DTS-HD Master Audio Mono
English
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 4.5 | |
| Audio | 5.0 | |
| Extras | 3.5 | |
| Overall | 4.0 |
John Woo's A Better Tomorrow II (original title: Ying hung boon sik II, 1987) is being released as part of Shout! Studios' seven-disc box set, A Better Tomorrow Trilogy.
Cinema history has frequently seen plenty of producer/director collaborations fraught with conflict. (Zanuck and Ford's relationship at Fox is a classic case in point.) John Woo and Tsui Hark had enjoyed a friendship that extended to a successful working partnership when the two teemed up for A Better Tomorrow (1986), which essentially revitalized Woo's career. But when the filmmakers reunited a year later on A Better Tomorrow II, their partnership soured. What happened during the making of this sequel? Woo provides some fresh info in his interview on the second disc of Shout!'s ABTII set. I found additional answers in my research of Woo scholarship. Kenneth E. Hall interviewed the director in November 1995 for his book, John Woo: The Films (2012, 2nd edition, McFarland & Co.). Woo stated that one cut was two hours and 40 minutes. (I have determined that this was intended as the Director's Cut.) The initial concept was analogous to The Godfather Part II. Woo centered the story around Mark Lee’s twin brother Ken (like Mark, played by Chow Yun Fat) and Kit (Leslie Cheung). But Hark concentrated on Lung Si (Dean Shek), an old friend and business colleague of Ho (Lung Ti). When Woo was filming, though, he realized the Lung Si character wasn’t working.
Hark essentially wrote the treatment. Woo gave an interview to Robert K. Elder about this in 2004 that was printed in John Woo: Interviews (2005, University Press of Mississippi). The story idea was originally Hark's, which Woo wasn't excited about. Woo expressed that it wasn't his wish to focus on Dean Shek's character. After principal photography wrapped, Golden Princess notified Hark and Woo that they had one week till the theatrical release date. Woo recollected to Hall that they were compelled to remove about one hour of footage. Hark, Woo, and editor David Wu split into six or seven groups. Woo cut while Hark edited the first two reels. Woo cut three or four more reels. Wu cut an additional two or three reels. Woo said he never had the opportunity to assemble ABTII into a final cut. Christopher Heard also interviewed Woo for his book, Ten Thousand Bullets: The Cinematic Journey of John Woo (1999, Lone Eagle Publishing). The director recalled he didn't see ABII again till opening night.
In ABII, Lung Si departs Hong Kong for New York because he doesn't want any business dealings with Ko Ying Pui (Shan Kwan), one of the Triad's mafia dons. Ho has been given a conditional release from prison so he can infiltrate Ko's gang. Kit is working undercover on the case. Mark's brother Ken operates a little Asian restaurant in New York where he rather inexplicably becomes in contact with Lung Si. (The narrative never explains how Ken locates Lung or how the latter ends up where he's relegated to.) The plot also pivots around Lung's daughter, Peggy (Regina Kent), who's caught in a web of deceit and deception between Kit, Ko, and the Triad.

Dressed to kill.

Shout!'s 4K Ultra HD Blu-ray + standard Blu-ray combo of A Better Tomorrow II is sourced from a 4K restoration. The UHD is encoded with Dolby Vision (HDR10 compatible). The picture appears in its original exhibition ratio of 1.85:1. The print used for the 2160p and 1080p transfers is mostly clean and in nearly pristine condition. There a few white tramlines. See the one going down Ko's goon (first to the right) in Screenshot #12. I caught a tiny video sparkle on Peggy's left cheek in frame grab #19. There's a little dirt on a POV shot through a binoculars, which is probably an optical (see #14). I also spotted a couple print flecks throughout the presentation. But overall, the transfers look marvelous. Colors on the costumes during the tango/dance really pop (see screen capture #5). In addition, check out the red paint in #25. ABTII generally sports a thick and coarse grain structure, which is almost equally visible on the 4K and regular Blu-ray transfers aside from differences in brightness. (See #s 35 and 36.) Woo loves filming close-ups and facial detail is excellent on those shots.
The triple-layered UHD disc carries a mean video bitrate of 89.2 Mbps for the feature and an overall bitrate of 98.6 Mbps for the full disc. The regular Blu-ray employs the MPEG-4 AVC codec and boasts an average video bitrate of 32000 kbps. My video score for the 2160p and 1080p transfers is 4.75/5.00 apiece.
Screenshot #s 1-30, 32, 34, 36, 38, & 40 = Shout! Studios 2025 4K Ultra HD (downscaled to 1080p)
Screenshot #s 31, 33, 35, 37, & 39 = Shout! Studios 2025 Blu-ray BD-50 (from a 4K restoration)
Shout! has given the 104-minute feature eight chapter breaks, which you can only skip to via remote since there's no menu shortcut.

The default sound track is a DTS-HD Master Audio Dual Mono mix (1586 kbps, 24-bit), which is mainly in Cantonese with some English for the New York scenes. Additionally, there's an alternate English dub, also encoded in DTS-HD MA 2.0 mono (1618 kbps, 24-bit). I listened to the native track, which is mixed a little high. The upper registers show strong bass with all the bullets zinging around. Dialogue is clear, crisp, and audible. Composer Lowell Lo wrote a new theme for ABTII that's performed on synths, pan flute, and harpsichord. He also wrote for electric guitar on another cue in the score. Lo brought back Joseph Koo's primary and secondary themes from the first film. And like ABT, the filmmakers have excerpted Peter Gabriel's composition, "Birdy's Flight," from Alan Parker's Birdy (1984).
Shout!'s optional English SDH are clear, legible, and double spaced. (See subtitle examples in Screenshot #s 26-30.)

Shout! has recorded a recent commentary, two new interviews, and a featurette with a HK cinema expert. The one legacy feature left off this release is an English-friendly 22-minute interview with producer Tsui Hark that was on the UK R2 Hong Kong Legends "Special Collector's Edition" DVD.
DISC ONE: 4K Ultra HD

A Better Tomorrow II witnessed a creative conflict between Tsui Hark and John Woo that resulted in a compromised film that has continuity problems and flaws with the way a couple of the characters are written. Still, this is a tremendous Hong Kong action film. The camera loves Leslie Cheung and Chow Yun Fat, who each deliver great performances. The transfers from Shout!'s 4K scan look outstanding. The remastered Cantonese audio mix is free of source flaws. The supplementary content isn't as bountiful as what Shout! provides for its A Better Tomorrow (1986) package but they're still pretty informative. A VERY SOLID RECOMMENDATION.
(Still not reliable for this title)

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