7.6 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
From the heights of notoriety to the depths of depravity, John Forbes Nash, Jr. experiences it all. A mathematical genius, he made an astonishing discovery early in his career and stood on the brink of international acclaim. But the handsome and arrogant Nash soon found himself on a painful and harrowing journey of self-discovery once he was diagnosed with schizophrenia. After many years of struggle, he eventually triumphed over this tragedy, and finally, late in life, received the Nobel Prize.
Starring: Russell Crowe, Jennifer Connelly, Ed Harris, Paul Bettany, Adam Goldberg| Drama | Uncertain |
| Period | Uncertain |
| Biography | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 16-bit)
French: DTS 5.1 (48kHz, 24-bit)
English SDH, French
Blu-ray Disc
Two-disc set (2 BDs)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 3.0 | |
| Audio | 4.5 | |
| Extras | 4.0 | |
| Overall | 4.0 |
In time for its 25th anniversary, Ron Howard's 'A Beautiful Mind' arrives on 4K UHD disc courtesy of Universal. Starring Russel Crowe ('Gladiator') as mathematics genius John Nash, and based very loosely on real events, he is joined on screen by Jennifer Connelly ("Phenomena', Alicia Nash), Ed Harris (' The Truman Show', Parcher), and Christopher Plummer ("Knives Out', Dr. Rosen). The 4K UHD presentation has been updated with both Dolby Vision and Dolby Atmos, and while no new on-disc supplemental material has been created for this release, all legacy material is brought forward. A Blu-ray disc, an embossed and foil-enhanced slipcover, and a Digital Code redeemable via Movies Anywhere are also included.


My colleague, Kenneth Brown, was rather complimentary of the 2011 Blu-ray's VC-1-encoded 1080p image, with some noted concerns regarding issues with edge enhancement. Happily, with the new HEVC-encoded 2160p presentation with Dolby Vision there isn't any of that on display. While there is a slight softness that persists in effects shots, such the early scene at a mixer as Nash tracks light refracted through a glass and up onto another student's tie. Colors are very richly saturated, with Connelly's red lipstick popping nicely at the dinner date she has with Nash near the 52-minute mark. Skin tones are healthy throughout, with detail levels normally being quite high, allowing viewers to the chance to see every line, wrinkle, bit of stubble, and make-up particulars. Environmental details are also easily observable, with the bricks on the exterior of the campus buildings being precisely defined, pavement displaying realistic texture, and wood flooring appearing warm with visible grain. White approaches brilliance, and blacks are impressively deep. As Nash grows more paranoid and he spends time in his apartment with the lights off and the blinds drawn, we're still able to see everything we need to in the rooms with regard to the wallpaper, furnishings, and critical props and elements of set dressing. It's a great transfer and the film's fans should be very pleased.

The Dolby Atmos audio track offers a step-up from the previous DTS-HD MA 5.1 track which is also available here. The Atmos track, however, expands the sound stage, giving sounds and objects room to breathe. James Horner's score sounds better here than before thanks to an increase in precision and sound separation. Sound effects as diverse as clicking heels, cacophonous jackhammers, and gunshots, are realistically rendered, with the latter two receiving adequate bass support to drive home the implements' destructive forces. The camera flash at the party around the 41-minute mark provides an example of the track's ability to handle more subtle sounds and also provide instances of immersion. As the picture is taken and the vintage bulb is spent, the sound erupts from the front before moving seamless to the back of the stage, placing the viewer in the middle of the photo-op. That same party also exemplifies how the track is able to provide ambient sounds of background music and scores of voices to bring the viewer into the posh gathering. Directionality is spot-on, and people and objects are easy to track. Dialogue is handled well and is rendered without defect or issue. It's an elegant and well-crafted track.

All of the legacy features from the Blu-ray release are brough forward here, including, but not limited to, both commentaries, archival footage of the real John Nash, and deleted scenes. All are found on the 4K UHD disc. For a complete accounting of them, please follow this link to the review of the original Blu-ray release.

I've not performed a complete analysis to derive some sort of percentage as to how much of the film is factual and how much is fabrication, but as the old adage goes, "Never let the facts get in the way of a good story.". And that's certainly the case here. It may not be as true as it should be, but it's a gripping yarn and a well constructed film. Crowe, Harris, and Connelly all turn in appealing performances, and it's always a pleasure to see Christopher Plummer on the screen. All are aided in their efforts by James Horner's wonderful score, and it's my favorite of the two films by Ron Howard that stars Crowe. The 4k UHD presentation with Dolby Vision provides several noticeable improvements and the same is true for the more modern Dolby Atmos track. For fans of the stars, Howard, or the film, A Beautiful Mind 4K comes very highly recommended.