8.3 | / 10 |
Users | 4.8 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Troubled Italian filmmaker Guido Anselmi struggles with creative stasis as he attempts to get a new movie off the ground. Overwhelmed by his work and personal life, the director retreats into his thoughts, which often focus on his loves, both past and present, and frequently wander into fantastical territory. As he tries to sort out his many entanglements, romantic and otherwise, Anselmi finds his production becoming more and more autobiographical.
Starring: Marcello Mastroianni, Claudia Cardinale, Anouk Aimée, Sandra Milo, Rossella FalkDrama | 100% |
Foreign | 74% |
Surreal | 19% |
Fantasy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
Italian: DTS-HD Master Audio Mono
English
50GB Blu-ray Disc
Single disc (1 BD)
Region B (locked)
Movie | 5.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 3.5 | |
Overall | 4.0 |
Federico Fellini's "8 ½ " (1963) arrives on Blu-ray courtesy of British distributors Argent Films. The supplemental features on the disc include original Italian trailers for the film; archival video interview with director Lina Wertmuller; Mario Sesti's fifty-two-minute documentary "The Last Sequence"; and text-format tribute to Fellini's speech on receiving his Life Achievement Academy Award. In Italian, with optional English subtitles for the main feature. Region-B "locked".
The Director
Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Federico Fellini's 8 ½ arrives on Blu-ray courtesy of British distributors Argent Films.
Argent Films' release uses as a foundation French label Gaumont's restoration of Fellini's legendary film. Needless to say, it has little in common with Criterion's presentation of the film.
Generally speaking, close-ups and panoramic shots convey pleasing depth (see screeencaptures #2 and 9). Clarity and contrast levels are also stable. Some extremely light noise corrections have been applied, but grain has been retained. Additionally, while on the Criterion release the noise corrections are also accompanied by light sharpening adjustments, here such obvious traces of sharpening adjustments are not visible. This is what makes the noise corrections a lot more difficult to spot. This being said, encoding and compression are better on the Criterion release. As a result, even though the Gaumont restoration is superior, there are small portions of the film that actually boast marginally better definition on the Criterion release (compare screencapture #14 and screencapture #4 from our review of the Criterion release). There are also sporadic extremely light chroma-like effects that pop up here and there (see screencapture #13). The overwhelming majority of viewers more than likely will not be able to spot them, but they are indeed present. These encoding issues are also responsible for the minor discrepancies in the balance between blacks, grays, and whites between the two releases. Finally, there are no serious stability issues. Also, there are no large damage marks, cuts, debris, scratches, warps, or stains to report in this review. To sum it all up, I prefer the Gaumont restoration, but the encoding and compression of the Criterion release are clearly superior. (Note: This is a Region-B "locked" Blu-ray release. Therefore, you must have a native Region-B or Region-Free PS3 or SA in order to access its content).
There is only one standard audio track on this Blu-ray release: Italian DTS-HD Master Audio 1.0. For the record, Argent Films have provided optional English subtitles for the main feature.
Depth and clarity are very good. Dynamic intensity is also pleasing. There is no disturbing background hiss, pops, cracks, dropouts, or distortions. Some minor lip-sync issues remain, but they are indeed part of the film. The English translation is excellent.
Federico Fellini's 8 ½ is an essential film to see and own. In my opinion, no collection is complete without it. British distributors Argent Films' Blu-ray release uses as a foundation French label Gaumont's restoration of 8 ½. I think that currently it is the best one on the market, but I like the encoding and compression of the Criterion release better. If you only have Fellini's film on DVD, or do not yet have it in your collection, you should consider picking up the Blu-ray release as soon as possible. RECOMMENDED.
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