6.8 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
An unprecedented look at the iconic shower scene in Alfred Hitchcock's Psycho (1960), the "man behind the curtain", and the screen murder that profoundly changed the course of world cinema.
Starring: Alan Barnette, Justin Benson, Peter Bogdanovich, Marco Calavita, Tere CarrubbaDocumentary | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
5.1: 3332 kbps; 2.0: 1721 kbps
English SDH, Spanish
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Region A (B, C untested)
Movie | 4.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 2.0 | |
Overall | 4.0 |
There have been several excellent books that chronicle the making of Psycho. Stephen Rebello's Alfred Hitchcock and the Making of Psycho (adapted into the 2010 feature Hitchcock) and David Thompson's The Moment of Psycho: How Alfred Hitchcock Taught America to Love Murder immediately come to mind. Additionally, there have also been scholarly studies undertaken by academics such as Raymond Durgnat and Robert Kolker. The extremely prolific Laurent Bouzereau also produced a feature-length documentary for the 1998 DVD of Psycho. It would seem that there would be little left to say that's not already been said about this monumental classic. However, Alexandre O. Philippe's outstanding documentary 78/52: Hitchcock's Shower Scene fills an important piece in the historical discussion about Psycho's enduring legacy and continuing influence. Philippe interviewed well-known filmmakers, prominent literary figures, and Hitchcock scholars with a backdrop that looks like the interiors of the Bates Motel and Mrs. Bates's house on the Universal lot. Camera operator Robert Muratore has shot the interviews in black and white and in the aspect ratio of 1.85:1, which maintains the fidelity of Psycho's original viewing experience. The participants occasionally watch Psycho on a vintage Muntz or tube TV console from the late fifties. We get to hear from Tere Carrubba (Hitchcock's granddaughter), Jamie Lee Curtis (Janet Leigh's daughter), Osgood Perkins (Anthony's son), director Peter Bogdanovich (who interviewed Hitch on several occasions), Guillermo del Toro (author of a 500+ page book in Spanish on the Master of Suspense), Oscar-winning sound editor Walter Murch, actor/producer Elijah Wood, novelist/screenwriter Bret Easton Ellis, and several other directors, sound designers, and editors.
Janet Leigh's body double drives to the Bates Motel.
Shout! Factory and IFC Midnight have released 78/52: Hitchcock's Shower Scene as a Blu-ray/DVD combo. The former sports an AVC encode on a BD-50. The recently filmed interviews and reenactments are presented in 1.85:1. This black-and-white footage looks clear with no visible artifacts. You'll notice that the interviewee's name is displayed in a Book Title style and their movie/TV roles shown in all caps (see Screenshot #s 7, 11, 12, and 14-17). For the new footage, the only color photography is of painting(s) Hitchcock either used or may have considered for wall display in Norman's parlor (see #20). Clips from a combined sixty-eight feature films and TV shows are excerpted. The quality obviously varies but to my eyes, the stock footage (for movies, at least) is on par with the best DVD and Blu-ray transfers of those titles. The MPEG-4 1080p transfer carries an average bitrate of 31998 kbps.
Shout! has provided twelve chapter markers for this documentary.
Shout! has supplied a DTS-HD Master Audio 5.1 mix (3332 kbps, 24-bit) and a downsampled DTS-HD Master Audio 2.0 Stereo (1721 kbps, 24-bit) for the doc's sound track options. Each interviewee speaks in English (including del Toro, whose very fluent in his second language). Spoken remarks are audible and clear enough at normal listening levels. Composer Jon Hegel has written a fine score that's supple accompaniment and doesn't sound that much like Herrmann's music for the 1960 film (probably by design so it wouldn't distract the viewer from concentrating on the commentators' remarks). When Hitchcock's speaks from an archived AFI seminar recording, for example, his subtitled comments are shown in a yellow, sans sarif font (see #19).
The documentary comes with optional English SDH and Spanish subtitles.
Along with Citizen Kane, Psycho is one of the most analyzed American films in cinema history. This is a testament to Welles and Hitchcock for imbuing their works with rich and multilayered meanings, enabling each successive generation to find fresh interpretive methods to reckon their significance. Alexandre O. Philippe's terrific documentary 78/52: Hitchcock's Shower Scene adds an important conversational piece to Psycho's lasting importance. It's a hugely insightful piece that packs a ton of information in ninety-two minutes. If you want to learn more, I'd also suggest checking out the books, Psycho in the Shower: The History of Cinema's Most Famous Scene by Philip J. Skerry and The Psycho Records by Laurence Rickels. The deleted extended interviews with del Toro and Murch on this Blu-ray are well worth watching. 78/52 is STRONGLY RECOMMENDED to all movie fans.
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