6.9 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Trailer-dwelling, sewage-pumping Chip (Matthew Gray Gubler) may not lead the most glamorous life, but he's got one thing going for him: he's head over heels infatuated with his girlfriend Liza (AnnaLynne McCord). He's more than willing to overlook her wild streak—the fact that she's hooking up with their landlord; her rather extreme mood swings—so when she proposes a plot to steal $68,000, he goes along with the plan. But when what was supposed to be a simple heist turns into an off-the-rails, blood-spattered crime spree, Chip learns the hard way just how deranged the love of his life really is. The new film from Troma alum Trent Haaga blends wicked comedy with pure pulp thrills for a no-holds-barred blast of insanity.
Starring: Matthew Gray Gubler, AnnaLynne McCord, Alisha Boe, Sheila Vand, Sam EidsonThriller | Insignificant |
Crime | Insignificant |
Comedy | Insignificant |
Romance | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.38:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English SDH, Spanish
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Slipcover in original pressing
Region A (B, C untested)
Movie | 0.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 1.0 | |
Overall | 3.0 |
Shock value is easy, and it seems to work the best when there’s thought put into it, with clever filmmakers managing to create a big screen mess and keep their effort somewhat approachable, either through dark comedy or dimensional characterization. “68 Kill” brings a cannon to a knife fight, with writer/director Trent Haaga trying his best to make the most repellent feature imaginable, focusing on pure ugliness as a way to achieve irreverence, making an exploitation movie for an age when such juvenile aggression is no longer a special event. Adapting a novel by Bryan Smith, Haaga is looking to master an atmosphere that showcases gruesome events and toxic behavior, yet somehow remains humorous enough for the endeavor to qualify as a comedy. “68 Kill” is specialized product for a certain type of genre fan, but boy howdy, does it ever test patience as Haaga stumbles blindly from one scene to the next.
The AVC encoded image (2.38:1 aspect ratio) presentation reaches about as far as the original cinematography goes, with "68 Kill" offering a traditional HD-shot look that delivers sharpness when necessary. Close-ups are especially detailed, delivering a crisp look at facial particulars, which reach some sickly extremes throughout the feature. Sets are also defined, permitting a read of decoration, and gore zone visits are vivid. Colors are handled with care, finding inspiration from bold costuming and sickly store lighting, and blood remains a deep red. Skintones are natural. Delineation is adequate, never slipping into solidification. Mild banding is present during a few sequences.
The 5.1 DTS-HD MA mix opens with some modest directional movement, promising an active listening event to come, but the rest of "68 Kill" doesn't take full advantage of surround activity, which is only used intermittently. Dialogue exchanges are sharp and communicative, capably handling the range of panic the feature provides, without harsh extremes. Scoring needs are met with satisfactory instrumentation and volume, handling suspense needs. Sound effects register loudly, with snappy gunfire and squishy bodily harm. Atmospherics are effective, active with outdoor chases and echoed interiors.
The grand finale of "68 Kill" goes wild with chopped limbs and screaming close-ups, with Haaga trying to outdo himself as a way to exhaust the viewer, who's been sent through quite a bit as Chip strives to achieve stability while everything spirals out of control around him. Obviously, the production is hoping to acquire a madcap tone, making Chip's snowballing sense of doom playful, even when it deals with macabre ideas for black comedy. The grotesqueness of it all isn't the real problem with the feature The stone silence that greets every joke is the most egregious error the production makes. Haaga has enjoyed a few career highlights (he co-wrote the pleasingly demented "Cheap Thrills"), but his vision is limited to mindless chaos here, and without careful editing, measure performances, and thrilling escalation, "68 Kill" loses all shape and impact. All it does well is numb the senses and inspire an appreciation for the art of the rewrite.
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Unrated Director's Cut
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מי מפחד מהזאב הרע / Mi mefakhed mehaze'ev hara
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