6.9 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
400 BULLETS is an edge-of-your-seat Military Action story about what it means to fight for honor instead of profit. The film packs gun battles, epic hand-to-hand fight sequences and witty dialogue into its 90 minute run time.
Starring: Jean-Paul Ly, Adele Oni, Tina Barnes, Andrew Lee Potts, James Warren (XXII)| Action | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.41:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 3.0 | |
| Overall | 3.5 |
Director Tom Paton has spent the last few years attempting to find his way through the film business with small-scale action and sci-fi endeavors (“Black Site,” “G-Loc”), working with technology and small spaces to create escapism that favors some degree of excitement. With “400 Bullets,” Paton (who also scripts) tries to remain earthbound, turning his attention to a double-cross story set during wartime troubles. The helmer wisely whittles down narrative complications to just a handful of pressure points, leaving the rest of the feature to mano a mano battles, shootouts, and light conversation. “400 Bullets” doesn’t do anything new, but Paton handles familiar business with enthusiasm, looking to jazz up the norm with raw violence, eschewing tightly choreographed mayhem for screen hostility that reflects the urgent, confusing survival situation at hand.


The AVC encoded image (2.41:1 aspect ratio) presentation deals with a very cold palette. Blues dominate the viewing experience, from interior military lighting to the frigid location, while blacks are satisfactory, doing well with a movie that's largely set in the middle of the night. Brighter hues emerge with emergency lighting. Detail is strong, picking up on the wear and tear of the characters, who take a beating, and the plywood-walled military base is textured. Costuming is fibrous. Some banding is detected.

The 5.1 DTS-HD MA sound mix delivers an active listening event. Surrounds are lively, detailing the howling winds of the setting and character movement, along with bursts of gunfire that enjoy some separation effects. Scoring is heavier, with a deep synth presence that adds to the low-end response. Dialogue exchanges are clear, with sharp voices and balanced outbursts.


"400 Bullets" isn't the most visually varied picture, with much of the hunt taking place around low-budget filmmaking's best friend: shipping containers. The screenplay also makes a late-inning effort to explore Rana's history as a "Gurkha," living up to standards set by his father and grandfather. It's an interesting bit of character shading, but Paton doesn't explain it with enough clarity or emotional emphasis for it to truly land any sort of punch. "400 Bullets" is best when locked into sequences of brutality, serving up compelling physical challenges sold with smashmouth stunt work. And there's Bartlett, who's not an advanced antagonist, but he certainly makes a point about military disposability, leading him to seek a fat retirement plan in the gold and missiles. It's not enough to root for the bad guy, but Paton tries to bend expectations in little ways, giving what easily could've been a generic thriller some welcome personality.
(Still not reliable for this title)

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