6.8 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
The relationship between a father and daughter is complicated by the arrival of a handsome young man.
Starring: Alex Descas, Mati Diop, Nicole Dogué, Grégoire Colin, Julieth Mars ToussaintDrama | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
French: DTS-HD Master Audio 2.0
1572 kbps, 16-bit
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 4.5 | |
Video | 5.0 | |
Audio | 4.5 | |
Extras | 2.0 | |
Overall | 4.5 |
Gestures, glances, and feelings are what matter the most to co-writer/director Claire Denis in her quietly observant drama, 35 rhums (35 Shots of Rum, 2008). The film reminds me of some of the works by Denis's late compatriot Bertrand Tavernier. Like Tavernier's period piece, Un Dimanche à la campagne (A Sunday in the Country, 1984), not that much happens over the course of 35 Shots of Rum's narrative. Of greater consequence is the characters and the ways they immerse themselves into the rhythms of everyday realities. Take, for example, Lionel (Alex Descas) and Josephine (Mati Diop). They live together in a middle-class apartment in a housing projects area on the outskirts of Paris. Lionel and Jo say little to each other because they seem to mutually understand the other's non-verbal cues. They enjoy using the rice cooker and sautéing onions for dinner. Denis underplays their interactions and yet, there's a sensual and erotic undercurrent to their exchanges. The viewer may see them as in a spousal relationship (as I initially did) but they're actually father and daughter. The film is also about their neighbors: Gabrielle (Nicole Dogué), a chain-smoking taxi driver and former flame of Lionel's, and Noé (Grégoire Colin), a young businessman and possible boyfriend to Jo. Gabrielle would love to romantically connect with Lionel again but he is unsure. He's still in mourning over the untimely death of his wife and more connected with his coworkers at the Paris RER where he works as a train engineer. Jo is studying anthropology at the local college and working part time at a record shop. While she takes a liking to Noé, she may not want the same type of relationship that he does. When Gabrielle's car stalls during a rainstorm on the way to a concert, the characters' feelings become more open when they congregate at a bar. As they dance to The Commodores’ Night Shift, their preferred partners (and jealousies) also become clearer.
35 Shots of Rum was issued on DVD in 2009-10 in France by Sony Pictures Home Entertainment (as ARTE ÉDITIONS), in the UK by New Wave, and the US by Cinema Guild. I didn't see any of those transfers so I can't comment how the image compares to the Blu-ray here. I would place a safe bet, though, that Cinema Guild made a new 2K scan from the Kodak Vision2 500T 5218 35 mm negative. The film appears in its original theatrical aspect ratio of 1.85:1 on this MPEG-4 AVC-encoded BD-50. The cinematography by frequent Denis DP Agnès Godard looks immaculate. Colors are always well-defined. (Check out the reds on the rice cooker and CD stand in Screenshot #s 2 and 16.) Facial detail is exquisite (see frame grab #s 3, 8-10, 14). Background depth is outstanding. See how well pronounced a character's skin tone is in long shot and behind a pot in screen capture #21. The lower-lit scenes accent grain and texture (see Screenshot #s 5, 11-14, and 25-26). C.G. has encoded the feature at an average video bitrate of 35563 kbps.
The 101-minute feature receives about ten chapters.
Cinema Guild has supplied a DTS-HD Master Audio 2.0 Stereo mix (1572 kbps, 16-bit). The film is spoken in both French and German. This is about as good a matrixed stereo track can sound on Blu-ray. Speakers are perfectly balanced between the fronts and rears. Beyond the murmurings, delivery is crisp. The original score by British band Tindersticks is most instrumental (literally) to the film's success. I was fortunate to find the score album, which is part of the five-CD box set, Claire Denis Film Scores 1996-2009 that was released in 2011 by Canadian record label Constellation. When one hears the opening and closing cues, it sounds like a cross between a harmonica and accordion. This is a melodica performed by co-composer David Boulter. The melodica also reappears during the tracks "Train Montage 1" (the standout on the album and in the movie) and the reprised variation, "Train Montage 2," which also incorporates the flute. Tindersticks establishes a perfect rhythm for the train scenes. The beats sync well with the train's movement and the non-static POV of Lionel. Tindersticks employs three different guitars: acoustic, bass, and electric. The main theme is most often played on at least one of the guitars. The ondes martenot, an irregularly used instrument which sounds like a theremin, accompanies the opening to the film and "The Necklace." Music on the DTS-HD MA is evenly split between the fronts and surrounds. The Commodores' "Night Shift" on the diegetic track is given a lively rendition.
The optional English subtitles appear in a white font that's smaller than most fonts used on BDs and UHDs these days but is still readable. It appears unobtrusively near the bottom (see screen capture #27).
The Cinema Guild DVD included a 20-minute interview with Claire Denis from 2009 on 35 Shots of Rum, an over hour-long conversation with Denis from 2004, a production gallery, and a booklet essay by Rob White. None of these extras appear on this package. C.G. has recorded a recent interview with the director and culled archival programs from different venues.
35 Shots of Rum was one of 2008's best films. It earned favorable comparisons to Olivier Assayas's Summer Hours (2008). While I have not yet seen that French picture, I've read that it shares several similarities with Denis's work so if you enjoyed the Criterion release, you'll want to lap this one up, too. Cinema Guild's transfer is practically impeccable. Tindersticks' original music has been burned into my mind days after seeing the film. It is well-represented on the DTS-HD Master Audio 2.0 Stereo track. The most substantial new extra is an extended conversation with Claire Denis that you'll want to see after watching the film. While I would have liked Cinema Guild to retain its old bonus features, I still ENTHUSIASTICALLY RECOMMEND this package!
(Still not reliable for this title)
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