6.1 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
After barely surviving a furious shootout with the police, Baby Firefly, Otis Driftwood and Captain Spaulding are behind bars. But pure evil cannot be contained. Teaming up with Otis’ half-brother Winslow "Foxy" Coltrane, the demented Firefly clan are back to unleash a whole new wave of death and depravity. A firestorm of murder, madness and mayhem will be unleashed in this terror ride to hell and back.
Starring: Sheri Moon Zombie, Bill Moseley, Sid Haig, Jeff Daniel Phillips, Richard BrakeHorror | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: Dolby Digital 2.0
English SDH, Spanish
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Digital copy
DVD copy
Slipcover in original pressing
Region A (locked)
Movie | 3.0 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 1.5 | |
Overall | 3.0 |
Note: Lionsgate's PR firm provided only the 3 from Hell
4K
release for purposes of both the 4K and 1080p reviews, and that release contains only the Unrated Version of the film. Until recently, we had two
1080p Blu-ray listings active, this one supposedly featuring two cuts of the film, and a standalone 1080p release of the Unrated version which apparently is not being released, which makes me wonder if
this release actually only has the Unrated version, since that's the 1080p Blu-ray included with the 4K UHD release. My review is therefore only of
the Unrated version, and both the technical assessments and listing of supplements are (to probably state the obvious) of the 1080p Blu-ray
included with the 4K UHD release.
Update: A member messaged that while he had not received this version, he thought that perhaps the Rated version was on the included
DVD, which would explain why the Blu-ray disc only has the Unrated version. Anyone who actually receives this is encouraged to private message
me with details, and I'm happy to post more information here as it becomes available.
Update 2: The consensus seems to be that the DVD is the R rated version.
Maybe Rob Zombie misunderstood some fans’ continued clamoring for more Firefly. That’s said in jest, of course, as fans of Zombie’s film work will know that in this case “Firefly” is definitely
not a class of spaceship, but is instead the moniker of a “family” whose murderous exploits were detailed in House of 1000 Corpses and The Devil's Rejects (note that those links point to very old Blu-ray releases; I recently
reviewed
the newer Australian release of Two From Hell, which
contains both films, though my hunch is the transfers are culled from older masters in any case).
3 From Hell is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 1.85:1. As I discussed in my 3 from Hell 4K Blu-ray review, while this was evidently digitally captured with Arri Alexa cameras and then presumably finished at a 2K DI, Zombie and cinematographer David Daniels have gone into overdrive in terms of post processing of the imagery, and as such this is a far cry from the typically sleek, glossy look of a lot of Alexa captured material. A cursory glance at some of the screenshots I've uploaded to this review will give some indication of some of the video "bells and whistles" that have been employed, but suffice it to say that detail and especially fine detail levels can kind of ebb and flow depending on not just the "usual suspects" like lighting conditions, but in this case other elements like intentional distressing, digital grain and at times extremely aggressive grading and (on the other end of the spectrum) desaturation. A prevalence of dark or dimly lit material in addition to some of these stylistic quirks can also prevent fine detail from peeking through shadows on occasion. The film does employ a large number of extreme close-ups, and fine detail is typically quite excellent in these moments, and generally speaking, sharpness is rather good as well, especially considering some of the intentional masking strategies that are employed. To my eyes the best looking sequences in the film come relatively late in the Mexican scenes, where a relatively normal lighting regimen aids detail (and especially fine detail) levels, and where the palette looks comparatively robust. The palette, while as tweaked as everything else in this presentation, is often quite impressively saturated, though, and some of the grading and/or lighting choices really offer a lot of very vivid hues, all of which pop nicely. Fans going into this presentation with an understanding of its "grindhouse" proclivities will probably love the look of this transfer, despite some variabilities in detail levels.
3 From Hell features a nicely bombastic Dolby TrueHD 7.1 mix. There are a ton of really nicely executed (pun probably intentional) effects here, beginning as soon as the gunshots accompanying the title credit, shots which clearly pan and emanate from different surround channels. The film is kind of relentlessly noisy, and surround activity is fairly consistent as a result. The outdoor material has a lot of ambient environmental action, but even some of the supposedly cloistered interior material (and there are a lot of scenes in small environments) often offer spaciousness in terms of discrete placement of individual effects (or even reverberant echoes in some of the jail scenes). As might be expected, there is ubiquitous use of music, all of which spills quite effectively through the side and rear channels. Dialogue is rendered cleanly and clearly throughout this problem free and enjoyable track.
Zombie has left himself some considerable "wiggle room" this time in case he's thinking of another little journey with the Firefly consortium, in terms of how this film comes to a close. Fans of the first two films in this supposed "franchise" will probably get a kick out of seeing two of the three original villains (?) back in action. Newcomers here should be braced for some completely bizarre characterizations and a kind of sleazy undertone that fits those characters to a tee, but which is still a bit disturbing. Technical merits are solid, though the imagery has been so aggressively tweaked that videophiles expecting a "squeaky clean" digitally captured image had best be braced in a different way.
Unrated
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