| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
See individual titles for details.
| Comedy | 100% |
| Family | 47% |
| Martial arts | 24% |
| Action | 1% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1, 1.78:1
Original aspect ratio: 1.85:1, 1.78:1
English: LPCM 2.0
None
Blu-ray Disc
Two-disc set (2 BDs)
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 3.0 | |
| Audio | 3.0 | |
| Extras | 0.5 | |
| Overall | 3.0 |
Bringing the four of the films from the '3 Ninjas' franchise together, '3 Ninjas', '3 Ninjas: Kick Back', '3 Ninjas: Knuckle Up', and '3 Ninjas: High
Noon at Mega Mountain' arrive on Blu-ray in the '3 Ninjas: 4-Film Collection' courtesy of Via Vision Entertainment. The four films are spread across
two Blu-ray discs, with two films per disc. Only the 96-minute extended international cut of the first film is included. Special features are limited,
but technical merits are solid. Neither a slipcover nor a Digital Code are
included.
Nostalgia is a powerful thing. Certain foods, places, songs, television shows, and movies, in spite of (and sometimes because of) their questionable
quality and dubious cultural significance, can transport us back to a simpler time, improving our moods and allowing us to reclaim our youth, even
if
for only 90 minutes at a time. Saturday morning's Super Friends! in all of their incarnations fills that role for me, with each flaw only
making the episodes more endearing. My sense is how much one enjoys the four films of the 3 Ninjas franchise found in this release will be
directly related to how much those films help the viewer experience those positive emotions and memories of days gone by. By way of full
disclosure, these films landed at the wrong time in my movie-going and video-renting past for me to ever have given them so much as a glance
when they were new. As a result, I do not view these films through nostalgia-powered rose-colored glasses.
As with many franchises, some sort of formula is often employed in the crafting of subsequent entries after a successful first feature. That is
especially true with 3 Ninjas. Beginning each film with training under the direction of their grandfather is a must. And in the first several
films, a trio of bumbling bad guys for the boys to repeatedly square off against, confound, and defeat becomes essential as well, though it should
be noted these adversaries are full-grown men. Some other elements of the trio's day-to-day life is included whether it be sports, dealing with
bullies, or (increasingly) making time for various young ladies. A great deal of time and energy is given to present these three as being kids like
any others. The outfits the trio wear make it simple for them to be doubled in the more aggressive and impressive stuntwork, sometimes handled
with subtlety, while other times it's quite obvious. Also as a matter of the formula, despite their young age, they succeed in thwarting foes far more
experienced and with significantly greater resources than they possess. All the while, they are free to move about without any parental supervision
or involvement. Another key component to the films' formula is continuously borrowing from other more successful films such as Home
Alone, The Karate Kid, The Bad News Bears, and television's Power Rangers just to name a few "influences", but the
list is long. Through them all, viewers will hear "hi-yah" yelled more times per minute than in any other film, accompanied by an incalculable
number of kicks to the groin.
Actor Vincent Wong (Big Trouble in Little China, Tremors) serves as the strongest piece of connective tissue between the four films as the
rest of the core cast would flux around him. The Japanese grandfather of the three boys, it is his task to train the youngsters to be ninja masters
over
summer vacation. Imbuing his role with genuine energy and an ever-present mischievous glint in his eye, he shepherds the boys through training
with a mix of technical instruction and paternal care and compassion by way of Pat Morita's Mr. Miyagi and the Teenage Mutant Ninja
Turtles's Splinter. His screen time is reduced over the course of the franchise, with him clearly being doubled for any physically ambitious on-
screen action in the third film, and absent for the vast majority of 3 Ninjas: High Noon at Mega Mountain. That film would capture his last
role before his death in 2001.


The films feature a largely consistent appearance across the four installments of the series. Each possesses a fairly healthy grain structure which generally resolves naturally, but at times can seem a bit chunky. Fine detail can rise to a point, and is best in interior shots but is never truly ever quite impressive. Exteriors can fair a bit worse, especially in the earlier films, sporting a softer, less precise look. Still, it is fair to say that facial and environmental particulars rarely rise to the point where they would rival modern films or those having undergone a more recent scan and restoration work. Foliage in exterior shots can at times appear smeary. Overall, the image is stable, but colors aren't as well-saturated as they should be, with much of the film having a slightly washed-out look and primaries rarely pop. Skin tones are typically very healthy, but can at times take on a reddish hue. Blacks can be satisfying but crush is a noticeable issue. By the time the fourth film arrives, colors fair somewhat better, with reds, in particular, being a bit punchier, but fine detail is not significantly improved over what was seen in the previous films in the set. They are perfectly watchable presentations overall, but far from stellar.

The 3 Ninjas films sport an English LPCM 2.0 audio track which is serviceable but not impressive. Dialogue is clean and clear, being centrally focused and properly prioritized. Sound effects are handled well, typically consisting of punches, kicks, incessant cries of "hi-yah!", and comedic flourishes that accompany fight sequences. Absent any real bass presence, such blows can sound a bit thin to modern ears. Music is handled well enough, but again it lacks anything approaching an adequate bottom end. Directionality is at times suggested and is somewhat less than convincing, though this is to some degree expected. While not reference material, it is an adequate accompaniment for these pint-sized pugilists.

The lone special feature included with these four films is a theatrical trailer (SD) for the first film, 3 Ninjas, found on Disc One (1.51).

Films aimed at the young and tween viewers of yesteryear, the 3 Ninjas: 4 Film Collection is best appreciated by those who grew-up with and loved the films during their initial releases. Lacking the pacing and sensibilities found in modern films aimed at that age group, they may struggle to find a footing with today's audiences the way they did in the 1990s. Campy, unafraid to borrow from other successful films, and typically action-oriented in a good-natured way (save for the third film), adult fans revisiting the films are in for a healthy dose of nostalgia, though they will no doubt long for slightly better technical merits and more supplemental material. While those not familiar with the franchise should proceed with caution, the 3 Ninjas: 4 Film Collection comes recommended to its fans as long as expectations are held in check.