6.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
It will tackle challenges the world faces and is inspired by Chris Marker's iconic 1962 featurette La Jetée, about a time traveler who risks his life to change the course of history and save the future of humanity.
Starring: Samantha Morton, Naomi Ackie| Documentary | 100% |
| Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 3.5 | |
| Audio | 4.0 | |
| Extras | 0.0 | |
| Overall | 3.0 |
Director Asif Kapadia is a documentarian, scoring some critical and commercial successes with 2010’s “Senna” and 2015’s “Amy.” In 2024, he helmed “Federer: Twelve Final Days,” examining the last stand for a popular professional tennis player. And now Kapadia is taking on the end of Earth in “2073,” which merges worlds of fiction and non-fiction to best examine the downfall of humanity as matters grow increasingly grim for the planet and its inhabitants. The future’s not bright in the picture, as it follows a woman and her experiences 50 years from now, attempting to find thinking and information in a land controlled by machines and the rich. “2073” isn’t an easy sit, and perhaps it doesn’t make for a complete film, but the ideas contained within it are valuable. Kapadia provides a warning about power and influence, presenting stories of oppression and destruction to help viewers grasp the dire situation we’re in right now, making a few severe points worth understanding.


The AVC encoded image (2.39:1 aspect ratio) presentation for "2073" uses a large amount of file footage to complete the documentary journey. These clips aren't always in the best shape, occasionally looking blocky and low-res. More stable is time with Ghost shot specifically for the picture, which offers a better sense of detail, especially with skin particulars on the characters, and their sense of scavenger gear. Environments are also reasonably deep as exteriors are explored, while Ghost's tight living space registers as intended. Colors are drained in fictional footage, securing cooler hues with a limited palette. More alert are visions of disaster, which bring more define oranges and reds to the feature. News footage offers brighter primaries with graphics and decoration. Skin tones are natural. Compression issues carry throughout the viewing experience, finding mild banding a common sight. Slight posterization is present as well.

The 5.1 DTS-HD MA sound mix is dealing with a largely informational listening event, and voices are decently clear during interview segments, periodically battling the limits of video conference technology. Ghost's arc in "2073" offers crisp thoughts and dialogue exchanges. Scoring handles with sharpness, securing defined instrumentation. Surrounds remain active, pushing out some musical moods and managing sound effects, providing a few panning elements with flying drones. Low-end offers some presence with violent activity.

There is no supplementary material on this release.

"2073" tracks Ghost's thoughts and experiences, but her journey isn't the point of the feature. Kapadia uses a vision of tomorrow to best reinforce the nightmares of today, extending to the rise of tech companies and their billionaire backers, who have gradually acquired more influence and control over the last 20 years. Men like Elon Musk, Jeff Bezos, and Peter Thiel are buying their way into the system, and the lure of A.I. and all the control it provides drives the mission. This part of the picture is most timely (downright prescient in some ways), joined by warnings concerning climate emergencies. It all leads to a summation about helplessness, as people are living in a world that's out of their control. Kapadia attempts to exit on a note of empowerment, but he's also realistic, putting some hope into the film's messages, he's just not necessarily optimistic about humanity's path forward.
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