7.7 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Remembering back to the early 1960s, when he lived in the Oriental Hotel in Hong Kong, Chow writes an erotic story that begins with a mysterious woman who lived in room 2046. Chow moves into room 2047 and begins an affair with a beautiful prostitute who now rents the mysterious woman's room. As he writes his story, which he sets in the future year 2046, Chow tells of a place where people travel to recapture lost memories; he is the first one to return.
Starring: Tony Leung Chiu-wai, Zhang Ziyi, Faye Wong, Maggie Cheung, Takuya KimuraForeign | 100% |
Drama | 81% |
Romance | 27% |
Sci-Fi | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
Cantonese: DTS-HD Master Audio 5.1
English
50GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 3.5 | |
Video | 3.5 | |
Audio | 5.0 | |
Extras | 4.0 | |
Overall | 3.5 |
Wong Kar Wai's "2046" (2004) arrives on Blu-ray courtesy of Criterion. The supplemental features on the disc include promotional materials for the film; deleted scenes; the short film "The Hand"; music video; and more. In Cantonese, with optional English subtitles for the main feature. Region-A "locked".
The trip
Presented in an aspect ratio of 2.35:1, encoded with MPEG-4 AVC and granted a 1080p transfer, 2046 arrives on Blu-ray courtesy of Criterion.
The 4K restoration that was completed for this film was approved by Wong Kar Wai, which means that the film's current appearance is the director's preferred appearance. I think that in terms of color-grading the end product is very easy to like because the overall balance preserves the film's theatrical identity. Indeed, the primaries appear solid and convincingly balanced and there are good ranges of nuances. There are a few areas where it feels like the blues become somewhat subdued while the greens flourish more than they should, but I personally wasn't bothered at all. Once again, the overall balance looks convincing.
Unfortunately, in other areas the makeover and technical presentation could have been more convincing. For example, there is plenty of darker footage where the grain begins to look like noise. While there is room for some encoding optimizations, there is something else that triggers the effect because the film's native dynamic range suffers as well (you can see examples in screencaptures #5, 10, and 17). Stylistic choices that engage light in very particular ways can exacerbate the effect(s), but the shifts are not organic. There are traces of the same effect(s) in daylight footage as well, where nuances for instance are uncharacteristically flattened (see screencapture #16). Some of the color manipulations intentionally destabilize select primaries, but in darker areas I spotted some classic macroblocking as well (see bottom of screencapture #14). Fortunately, the stylization makes it virtually impossible to detect such anomalies, so my guess is that only folks with very big screens and projectors are likely to spot them. Image stability is very good. There are no age-related imperfections to report in our review. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray: Cantonese DTS-HD Master Audio 5.1 (with portions of Japanese and Mandarin). Optional English subtitles are provided for the main feature. When turned on, they appear inside the image frame.
The lossless track is outstanding. The film has a very diverse soundtrack with that blends great music and some pretty good effects and the range of nuances that emerge from the lossless track are of near reference quality. I was very impressed. The narraiton and dialog are very clear, sharp, stable, and easy to follow. The English translation is excellent.
Viewing 2046 can be an interesting experience if you figure out how to be on the same wavelength with Wong Kar Wai's mind. I have seen it a couple of times and believe that I have gotten pretty close to accomplishing precisely that, but there are still portions of its narrative that strike me as elaborate attempts to validate Mick Jagger's famous claim that "anything worth doing is worth overdoing". It is crystal-clear that it is a very personal film, and as it is usually the case with these types of projects, there is plenty in it that makes perfect sense only to its creator. The disc we have reviewed here is included in Criterion's World of Wong Kar Wai seven-disc box set. RECOMMENDED.
(Still not reliable for this title)
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