8 | / 10 |
Users | 4.1 | |
Reviewer | 4.0 | |
Overall | 4.0 |
In 2035, humanity subsists in a desolate netherworld after the eradication of 99 percent of the Earth's population, a holocaust which left the planet's surface uninhabitable, and the destiny of humanity uncertain. A desperate group of scientists secure a reluctant volunteer, Cole, for a dangerous assignment: he will time travel to 1996, where they hope he can help unravel the mystery of the apocalypse and save the future.
Starring: Bruce Willis, Madeleine Stowe, Brad Pitt, Christopher Plummer, David MorseDrama | 100% |
Psychological thriller | 82% |
Surreal | 74% |
Mystery | 62% |
Thriller | 43% |
Sci-Fi | Insignificant |
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
French: DTS 5.1
Spanish: DTS 5.1
Italian: DTS 5.1
English SDH, French, Italian, Portuguese, Spanish, Danish, Dutch, Finnish, Greek, Korean, Mandarin (Traditional), Norwegian, Swedish
50GB Blu-ray Disc
Single disc (1 BD)
BD-Live
Region free
Movie | 5.0 | |
Video | 3.0 | |
Audio | 4.0 | |
Extras | 3.5 | |
Overall | 4.0 |
Of all the films, of all the genres, of all the silver screen treats I've ingested in my lifetime, nothing has satisfied my insatiable cinematic appetites as readily and completely as the future-dystopian masterworks I've encountered over the years. Blade Runner, A Clockwork Orange, Children of Men, The Matrix, Akira, V for Vendetta, The City of Lost Children, Strange Days, Dark City, Battle Royale, Serenity and, of course, Fritz Lang's Metropolis, just to name a few. Visionary director Terry Gilliam (The Fisher King and the upcoming Imaginarium of Doctor Parnassus) is responsible for two more personal favorites... arguably two of the finest sci-fi stunners of all time: Brazil and 12 Monkeys. The former is a stark, surrealist nightmare; the culmination of the director's darkest whimsy and most scathing satire. The latter teeters in the same bleak reaches of Gilliam's mind, but presents a perpetual dystopia that simultaneously exists in the past, present, and future; an inescapable labyrinth of desperation, predestination, and doom in the guise of a grim cautionary tale.
Gilliam gleefully tosses Cameron's "no fate but what we make" schtick straight out the window...
Let me get this out of the way right up front: 12 Monkeys will never be as sharp, as dazzling, or as striking as other notable catalog releases... regardless of how extensive a restoration it receives. Not only did Gilliam shoot the majority of his scenes with diffusion filters (to submerge the image in an unsettling, dreamlike haze), he relied on clashing light and shadow, jarring shifts in perspective and focus, and intermittent bursts of clarity and softness to keep his audience continually questioning Cole's sanity and motivations. As a result, some viewers will write off Universal's faithful 1080p/VC-1 transfer as an underwhelming fluke; a mismanaged presentation that doesn't boast the high definition swagger required to stand alongside the best catalog releases on the market. However, judging the Blu-ray edition's transfer too quickly would be a mistake. Roger Pratt's palette, drab and dreary as it often is, can be quite striking, particularly during Cole's high-contrast flashbacks. Likewise, black levels, while a bit dusty for their own good, are satisfying, leaving little doubt that Gilliam is more comfortable in the dark confines of his underground city than in the light. More importantly, detail -- as inconsistent and unpredictable as every object, edge, and texture is -- contributes to Gilliam's desired effect, and effectively enhances his increasingly surreal atmosphere.
That being said, there's still plenty of room for improvement in Universal's technical presentation. Contrast is a bit dull throughout the film, depth is wholly unconvincing, and print damage is a persistent (albeit minor) issue. Moreover, edge enhancement is a constant distraction, faint artifacting invades the proceedings on occasion, and some errant source noise manages to find its way into the intermittently grainy picture. In fact, rather than giving the film its just due, it appears as if the studio simply ported its problematic HD DVD transfer to a BD-50 disc, warts and all. Ultimately, while 12 Monkeys will never boast the snazziest catalog transfer on the block, a suitably fresh (yet faithful) overhaul would properly induct Gilliam's disquieting masterpiece into the 21st century.
Universal's DTS-HD Master Audio 5.1 surround track improves matters, but not as much as I expected. LFE output has undergone the most dramatic makeover, finally matching Gilliam's bizarre imagery with legitimate weight and presence. From the first ear-splitting bah-duhm of the film's off-kilter score to the resonant roar of dreamscape gunfire, 12 Monkeys offers a series of powerful, oft-times thundering bass tones. Rear speaker activity is aggressive as well, shooting bursts of steam through underground tunnels, overwhelming a war-torn battlefield with sudden screams and shocking explosions, and packing the streets of Baltimore with the sort of pulpy, chaotic ambience Marylanders will appreciate. Moreover, directionality is precise and pans are fittingly abrupt, creating an immersive soundfield that draws the listener into Cole's ravaged world and tattered mind. Unfortunately, dialogue hasn't made an easy transition. While the majority of lines are clean and well-prioritized, a few key pieces of information are lost in the mix, overshadowed by other more bombastic elements in the soundscape. It certainly doesn't spoil the experience, but it is a frequent frustration that could have been eliminated with some further polish. Ah well, it's tough to complain. 12 Monkeys has, quite simply, never sounded better.
There may only be three supplemental bullet points on the back cover of 12 Monkeys, but don't be fooled by Universal's modesty. This BD-50 disc includes a fantastic audio commentary with director Terry Gilliam, an 87-minute all-access documentary, and a treasure trove of production stills, concept art, and storyboards. Yes, the video content is presented in fugly standard definition (circa 1997... ouch) and, yes, it would have been nice to see some retrospective interviews or newly-minted featurettes, but the substance of the material on hand far outweighs the shortcomings of its age and dated technical presentation.
I could bore you with more rampant praise of Gilliam's time-hopping masterpiece, but I'll just say this: 12 Monkeys is, without a doubt, one of the best science fiction films of the last twenty years and, depending on your particular tastes, one of the finest films of all time as well. The Blu-ray edition stumbles a bit with a dated (albeit fairly faithful) transfer, but its solid DTS-HD Master Audio track and high-quality supplemental package makes this release worth some serious consideration.
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