6.4 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Django has become a bounty hunter who is asked to chase a villain who has kidnapped a young girl, but because he is not offered enough money, he decides to join forces with the bandit. But he’s double-crossed by the ruthless villain, who also kills the woman he was about to marry. Once again Django will have to take revenge ...
Starring: Gianni Garko, Loredana Nusciak, Claudio Camaso, Adriana Ambesi, Fidel GonzálesForeign | 100% |
Western | 28% |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.35:1
Italian: LPCM Mono (48kHz, 24-bit)
English: LPCM Mono (48kHz, 24-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.5 | |
Video | 3.5 | |
Audio | 3.5 | |
Extras | 3.0 | |
Overall | 3.5 |
Note: This film is available on Blu-ray as part of Arrow's Blood Money: Four Classic Westerns set.
The term "Spaghetti Western" and the name of Sergio Leone are probably going to be forever linked in many film fans' minds, but as a number of
labels and
perhaps especially Arrow continue to prove, imitation is the sincerest form of flattery as they say, and in this particular instance there were
seemingly
hordes of filmmakers out to
"flatter" Leone with their own take on this often rather provocative (sub?)genre. Blood Money aggregates a quartet of rather interesting
films, all according to some descriptive verbiage on the slipbox included with this set "centered around the theme" of the title of the collection.
Each
of the four offers interesting introductions by Italian journalist and critic Fabio Melelli, and he points out both some connections between some of
the
films, as
well as some perhaps unexpected tethers to Hollywood in some cases as well. The
films' production dates range from 1967 to 1970 and offer an admittedly somewhat formulaic approach to both plot and character, all within the
general confines already proscribed by Leone, but each of the films has some interesting elements either intrinsically or again in some cases with a
certain "meta" aspect. As usual with these Arrow collections, technical
merits tend to be solid and the supplemental content is outstanding.
$10,000 Blood Money is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 2.35:1. Arrow's insert booklet included with the Blood Money set lumps all of the films in the set together on its page devoted to the restorations:
$10,000 Blood Money is presented in its original aspect ratio of 2.35:1 with Italian and English mono sound.$10,000 Blood Money pops quite effectively in this transfer, though at times it seems like the element may have faded just slightly, as there's a bit of a brown pallor at times. That tendency regresses in some of the more brightly lit outdoor scenes, which offer really nicely vivid blue skies, if occasionally a noticeably thicker grain field. Detail levels are typically very good to excellent throughout the presentation, and any age related wear and tear is relegated to minor issues like passing nicks and blemishes. My score is 3.75.
Vengeance is Mine is presented in its original aspect ratio of 2.35:1 with Italian and English mono sound.
Find a Place to Die is presented in its original aspect of 1.85:1 with Italian and English mono sound.
The original 35mm negatives were scanned in 2K resolution at Cinema Communications, Rome. The films were graded and restored in 2K resolution at Dragon DI, Wales.
Sound mastering was completed by Lowe Frequency Limited, London and Bad Princess Productions, London.
Matalo! (Kill Him) is presented in its original aspect ratio of 1.85:1 with Italian and English mono sound.
The original 35mm negative was scanned and restored in 2K resolution at L'Immagine Ritrovata, Bologna. The film was colour graded at R3Store Studios London.
Sound remastering was completed at L'Immagine Ritrovata and Lowe Frequency Productions, London.
Audio synch will appear loose against the picture, as the dialogue was recorded entirely in post productions, as pwer the production standards of the period.
All original materials for 10,000 Blood Money, Vengeance is Mine and Find a Place to Die were supplied by Variety Distribution.
All original materials supplied for the restoration of Matalo! (Kill Him) were made available by Intramovies and Mediaset.
$10,000 Blood Money features Italian and English language versions in LPCM Mono. Audio is not able to be toggled between the versions, and as such a "side by side" comparison wasn't accessible, but to my ears other than the language differences, the mixes sounded pretty much identical. As with some of the other offerings in this set, there is some very minor distortion audible in the score, where initial wobble and slight roughness in the midrange in particular can be discerned. Dialogue in both versions is presented cleanly and clearly. Optional English subtitles are available.
$10,000 Blood Money is another exercise in cinematic "pulp fiction" from the prolific Ernesto Gastaldi, and if you've seen this story countless times before, you've never seen anything quite like the glowering Camaso. Technical merits are generally solid, and as usual Arrow has aggregated some very appealing supplements. Recommended.
(Still not reliable for this title)
Per 100.000 dollari t'ammazzo
1967
ˇMátalo!
1970
Joe... cercati un posto per morire!
1968
Una nuvola di polvere... un grido di morte... arriva Sartana / Gunman in Town
1970
C'č Sartana... vendi la pistola e comprati la bara! / A Fistful of Lead
1970
Goodbye Texas
1966
La resa dei conti
1966
E Dio disse a Caino...
1970
1967
Da uomo a uomo | Special Edition
1967
Lo voglio morto
1968
The Reward's Yours... The Man's Mine
1969
Due once di piombo
1966
Le colt cantarono la morte e fu... tempo di massacro / The Brute and the Beast
1966
Gli Specialisti
1969
I quattro dell'apocalisse
1975
Lo chiamavano Trinitŕ...
1970
1968
Special Edition
1966
Il grande silenzio | 50th Anniversary Edition
1968