6.1 | / 10 |
Users | 4.0 | |
Reviewer | 3.0 | |
Overall | 3.1 |
This high-tech, psychological thriller is set in the shadowy world of the Internet. Sondra Brummel is recovering from a skiing accident in her boyfriend's mansion, and accidentally contacts a possible killer in an Internet chatroom. She and her friend Misty enter a virtual game that that becomes all too real.
Starring: Nastassja Kinski, Nicollette Sheridan, Roger Daltrey, Huey Lewis, Jeffery DeanHorror | 100% |
Thriller | Insignificant |
Sci-Fi | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH, Greek
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
Movie | 3.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 3.0 | |
Overall | 3.0 |
Arrow Video is continuing to curate the sometimes goofy filmography of the often goofy Nico Mastorakis, and for those unacquainted with this Greek auteur, there are a number of prior Blu-ray releases from Arrow to whet appetites like Hired to Kill, Nightmare at Noon, The Wind, The Zero Boys, Death Has Blue Eyes, and Blood Tide (the last as co-writer rather then everything from producing and directing to craft services, and, yes, that's a joke). A lot of Mastorakis' films offer spooky set ups that at least hint at supernatural phenomena, and perhaps due to his Greek heritage, several of them have been set in rather exotic locations, including some in that general corner of the world. Mastorakis is quite a character, as I get into in my introductory comments in my Death Has Blue Eyes Blu-ray review, and his penchant toward self promotion (and, just possibly, the slightest whiff of self aggrandizement, not that there's anything wrong with that) may have led to .com for Murder, which Mastorakis freely admits is a "modern day" (i.e., early aughts of this century) update of the classic Alfred Hitchcock thriller Dial M for Murder .
.com for Murder is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 1.85:1. Arrow's insert booklet offers the following basic verbiage on the restoration:
.com for Murder is presented in its original 1.85:1 aspect ratio with 5.1 and stereo 2.0 audio. The film was restored from a 35mm interpositive and the high definition master was provided by Nico Mastorakis.As Mastorakis himself gets into in some of the supplements on this disc, his efforts to provide some "low-res" video looking moments for Werther's POV shots led to some technical challenges, and as such, videophiles should hold their breaths for just a moment, as the film does start with one of these pretty degraded looking sequences (you can see some examples of some of the low res moments in screenshots 18 and 19 in particular). Once the film gets into its main post credits narrative, things perk up measurably both in terms of palette suffusion and especially clarity and detail levels. The film has a lot of style, and some of the scenes with Werther, which are awash in almost John Wick 4K levels of purple, are incredibly moody looking, even if they understandably don't always offer a wealth of fine detail. A lot of the footage of the interior of Sondra's house offers really good detail levels, even in some less than fulsome lighting. Grain is tightly resolved for the most part, and any age related wear and tear has been largely ameliorated if not outright eliminated. My score is 4.25.
.com for Murder features DTS-HD Master Audio 5.1 and DTS-HD Master Audio 2.0 tracks, and frankly the stereo track may provide perfectly acceptable sound for many, since the film tends to take place in enclosed interior spaces where the ability to really regularly engage side and rear channels in a surround track may be limited. That said, the 5.1 track definitely opens up the soundstage in terms of both occasional placement of ambient environmental effects, but also some of the underscore by Ross Levinson (how did this film not get Daltrey and Lewis together for some kind of closing credits tune?). Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.
Maybe it would have been better had Nico Mastorakis not so overtly "paid homage" to Alfred Hitchcock, because he probably can't help but come off as a "pretender" to that perceived throne. It may have been a mistake to offer the patently sociopathic Werner so soon in the story, without any other sidebar characters as are found in Rear Window. The film never really generates a ton of "fear factor", but it's polished and provides Kinski a kind of "limited mobility" showcase that may in fact remind some of Sorry, Wrong Number (note that the link points to an Australian release, since that's what I reviewed, but it looks like it's due soon in Region A from Shout! Factory). Technical merits are solid and the supplements very appealing, for anyone who may be considering making a purchase.
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