6.7 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
The narrative unfolds in the 14th Century amidst the days of the Holy Roman Empire where Europe's nations fiercely vie for supremacy and the ambitious Austrians, desiring more land, encroach upon Switzerland, a serene and pastoral nation.
Starring: Claes Bang, Connor Swindells, Golshifteh Farahani, Jonah Hauer-King, Ellie Bamber| War | Uncertain |
| Drama | Uncertain |
| History | Uncertain |
| Biography | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.59:1
Original aspect ratio: 2.59:1
English: DTS-HD Master Audio 5.1
English: LPCM 2.0
English, English SDH, French
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 4.0 | |
| Audio | 3.5 | |
| Extras | 1.0 | |
| Overall | 3.5 |
For most people, the name William Tell conjures images of a crossbow accuracy contest involving a human target with an apple placed on their head. Perhaps there are even memories of “The Lone Ranger” and its use of Gioachino Rossini’s “William Tell Overture” as its main theme, successfully bending the tone of the original work to fit a wild west setting. Writer/director Nick Hamm is looking to restore the tale’s integrity with “William Tell,” endeavoring to give an 1804 play (by Friedrich Schiller) the “Braveheart” treatment, out to conjure a big screen epic featuring numerous characters and various motivations. It’s a big movie, but only in certain moments, and Hamm isn’t an inspired helmer (“The Hole,” “Godsend,” “Killing Bono”), out to transform European tensions into a Shakespearean viewing experience, creating a sluggish offering of heroism. “William Tell” might be of value to those most patient with historical actioners, but casual viewers probably won’t walk away with any fresh appreciation of the man and his mission.


The AVC encoded image presentation for "William Tell" does deal with the feature's slightly overcooked color grading, which doesn't always look natural. Inherent issues aside, hues appear stable throughout the viewing experience, handling big displays of greenery as the adventure heads into the open world. Stony and woodsy village locations register with cooler hues, while the brightness of Bertha's royal dresses and red hair breaks through as intended. Skin tones are mostly natural. Detail captures the texture of skin particulars on the cast, identifying age and weariness, also doing well with displays of wigs and facial hair. Castle interiors are dimensional, detailing plenty of decorative additions, and village life remains deep, examining community movement and mountainside backgrounds. Delineation is acceptable. Compression shows some signs of struggle, with mild banding periodic.

The 5.1 DTS-HD MA mix isn't always the powerhouse listening experience one expects it to be, but it remains functional, with clear dialogue exchanges throughout, securing accents and language. Scoring maintains sharp instrumentation and dramatic support, periodically flowing into the surrounds. Atmospherics are unusual, as some scenes, including a first act thunderstorm, offer a circular sense of weather, while a mid-movie ship battle on raging seas is quite mild. Community bustle is acceptable, and sound effects are distinct. Low-end is passable with weather changes and army movement.


Blocking such cinematic momentum is the screenplay, which is filled with medieval language, as Hamm is looking to boost the regality of the project. Dialogue exchanges are tiresome and cliché (indeed, one character asks, "Hark! Who goes there?"), adding nothing to the picture beyond a generous pour of screen molasses, watching the actors try to make stiff lines feel real. Performances do what they can, but Hamm is mostly interested in turning the folk hero into an action star, while the feature refuses the comfort of an ending, preferring to close on a cliffhanger, promising a sequel that might never be made. And the prospect of spending another 130 minutes in this world, with its garrulous characters and formulaic filmmaking, isn't appealing.
(Still not reliable for this title)

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