5.7 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
An intimate portrait of William Shatner's personal journey over nine decades on this Earth, You Can Call Me Bill strips away all the masks he has worn to embody countless characters, and reveals the man behind it all.
Starring: William Shatner| Documentary | Uncertain |
| Biography | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 3.5 | |
| Audio | 4.0 | |
| Extras | 3.0 | |
| Overall | 3.5 |
A documentary on the life and times of William Shatner conjures plenty of expectations, with the actor in command of a colorful existence filled with career highlights and general eccentricity. However, “You Can Call Me Bill” is directed by Alexandre O. Philippe, and he’s not a helmer interested in making something flashy and superficial. The man behind “Memory: The Origins of Alien” and “Leap of Faith: William Friedkin on The Exorcist,” Philippe is more interested in getting under the skin of his subjects, playing with stillness and introspection to best extract a deeper understanding of the situation. Thankfully, Shatner is ready to play along, sitting down for this unexpectedly reflective conversation about acting, nature, and the ways of life and death. “You Can Call Me Bill” is a fascinating portrait of Shatner, who, at 92 years of age, remains as animated as ever, eager to walk through the memories of his active days, doing so with a hearty sense of humor and emotional intensity.


The AVC encoded image (1.85:1 aspect ratio) presentation for "You Can Call Me Bill" struggles a bit with compression issues, finding moments of banding and brief posterization present during the viewing experience. Blacks are also quite heavy at times, with some solidification. Detail does well with the interviewee, exploring Shatner's emotive, aged face and his clothing choices. Performance footage offers more full-body textures, and atmosphere elements involving forest tours are dimensional. Color is sharp, with lighting choices registering bold reds and blues. Greenery is distinct. Skin tones are natural. Older footage ranges in quality, with some inherently low-res scenes.

The 5.1 DTS-HD MA mix is simple in design, with focus on interview audio and narration. Shatner's voice is clear, offering emotionality and dramatic emphasis. Musical efforts support with delicate instrumentation and frontal position. Some very mild surround elements are used, but the track remains up front. Low-end isn't challenged, but a closing credits provide some light percussive snap.


"You Can Call Me Bill" visits some intimate areas, including Shatner's youth, where he was bullied and had a colder relationship with his parents. And there are phobias, with the subject fearful of being alone, also confronting the experience of death as a man in his nineties. Things get heavy as the subject of climate change is returned to repeatedly in the picture, but Shatner is often philosophical, reaching a special level of enlightenment after taking a 2021 trip to space on the Blue Origin rocket. Offered a chance to see Earth from above, the moment had a profound effect on his existence. "You Can Call Me Bill" follows that tone of awe and motivation, which generates an oddly inspirational mood for the documentary as Shatner discusses the fragility of nature and the biological history of the planet. Philippe pulls something abyssal out of Shatner, and he remains artful and intimate with the film, presenting a different side to the star in this thoughtful discussion of life and passions.
(Still not reliable for this title)

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Le Sel de la Terre
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