7.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
THE US GENERATION: THE MAKING OF THE 1982 US FESTIVAL is an in-depth look at one of the most influential music festivals of all time.
Starring: Carlos Santana (I), Tom Petty, Stewart Copeland, Steve Wozniak, Eddie Money| Music | Uncertain |
| Documentary | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 720p
Aspect ratio: 1.78:1, 1.33:1
Original aspect ratio: 1.78:1
English: Dolby Digital 2.0
None
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 3.5 | |
| Audio | 2.5 | |
| Extras | 2.0 | |
| Overall | 3.5 |
Woodstock: 3 Days of Peace & Music may be one of the best remembered American rock festivals in history, but how many folks who can recount which band played when during those epochal days and nights in 1969 can also recount how the festival actually came to be? Are the producers of Woodstock at the tip of every music fan’s tongue, even to this day? Of course not (at least, not for this music fan), but the situation is a bit different with regard to the US Festivals, which came along for a couple of years in the early eighties. None other than Apple icon Steve Wozniak funded the US Festivals out of his own pocket, according to one talking head on this rather fascinating documentary spending over $20 million over the course of the two years. There’s an anecdote with one of the talent wranglers in this piece where he states that Wozniak just whipped out a checkbook and wrote a check for a cool $2 million one day, saying “That ought to cover you for a while”.


The US Festival 1982: The US Generation is presented on Blu-ray courtesy of MVD Visual with an AVC encoded 720p transfer in 1.78:1 (with the archival video of the concert hovering closer to Academy Ratio). I was frankly surprised to see the documentary is in 720p, since the included supplemental interviews are presented in 1080p, but I wonder if perhaps the raggedness of the archival video was deemed problematic enough that a "full" high definition upscale would offer even more issues than are already on display. As it stands, the archival video is certainly watchable, but it suffers from a lot of aliasing, occasional ghosting and/or fringing, and at times pretty debilitating fuzziness and murkiness (especially for the acts performing in darkness, as in some of the Fleetwood Mac material). That said, the contemporary interview sequences all look fine, if not exactly at "wow" levels, with a natural appearing palette and good detail levels.

The US Festival 1982: The US Generation continues what I personally find to be the head scratching decision by some labels to release music- centric product with lossy audio. In this case, insult is arguably added to injury by having only a Dolby Digital 2.0 track available. While there are long "talking heads" sequences in this documentary, and "snippets" of performances where a lossy stereo track is perhaps not that objectionable, there are also a number of longer segments documenting complete songs by various bands, and it's here that I kept wishing the release had at least included a lossless stereo track. What's here sounds okay, but hardly inspiring, and at this point in the Blu-ray format, I just can't see how a release of this type was not granted lossless audio, even if that revealed some sonic "warts" in the live performances.


One kind of funny thing that struck me during the closing credits of this piece was a long list of Kickstarter contributors. Is Wozniak's checkbook no longer available? (That's a joke, of course.) This is a really interesting piece of history that should appeal to fans, but some may question why more full performances weren't included, while also wondering why the documentary is presented in 720p and with lossy audio.
(Still not reliable for this title)

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