| Users | 0.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
A scientist carelessly dumps some toxic waste into a river. The gardener at a nudist camp drinks the water, turns into a monster and attacks all the (female) nudists.
| Horror | 100% |
| Drama | 9% |
| Comedy | Insignificant |
| Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.38:1
Original aspect ratio: 1.33:1
English: DTS-HD Master Audio Mono
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 4.0 | |
| Overall | 4.5 |
The world of nudie-cuties is highlighted in 1964’s “The Monster of Camp Sunshine” (full title: “The Monster of Camp Sunshine or How I Learned to Stop Worrying and Love Nature”), which provides the thinnest of plots to help reach its creative goal: the display of naked bodies. Added to the mix is a subplot concerning the eponymous threat, which introduces a horror element to a picture that’s largely about getting female characters out of their clothes. It’s a strange combo of easygoing nudism and madman terror, but that very oddness is what makes “The Monster of Camp Sunshine” a passably compelling sit, offering elements of the unexpected as a more pronounced mission of titillation is pursued.


The AVC encoded image (1.38:1 aspect ratio) presentation for "The Monster of Camp Sunshine" is sourced from a 2K scan of the original camera negative. The results are impressive, pulling a great deal of detail out of the feature, which mostly deals with surveying bodies in motion. Some urban tours retain excellent depth, showcasing New York City as it was, and camp footage maintains clarity. Delineation is precise. Grain is fine and film-like. Source is in good condition, with some points of damage.

The 1.0 DTS-HD MA mix presents a satisfactory appreciation for dubbing efforts, as the movie was filmed without sound. Dialogue exchanges are clear and inherently artificial. Music is equally appreciable without precision, but jazzy moods support the feature's limited creative intent.


"The Monster of Camp Sunshine" gets amusingly nuts in its final act, turning into an action movie that incorporates footage from World War II. Those sitting down for a peaceful visit to the world of nudism are offered a bit more screen activity than expected, and while the production is a no-budget endeavor tasked with photographing bare breasts, there are flashes of creative thinking in play (including a Terry Gilliam-esque main title sequence) to make the viewing experience quite enjoyable.