7 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
The patriarch of the Tseng family wants to marry off his daughter Ching Lan into the Kao clan. However, the cunning and deceitful eldest brother Kao Chu only wants his younger sibling Kao I-Fan to marry Lan so he can gain access to the Tseng family's considerable wealth and power. -Woodyanders, imdb
Starring: Angela Mao, Sing Chen, Tao-liang Tan, Shan Kwan, Billy Chan| Foreign | Uncertain |
| Action | Uncertain |
| Drama | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
Mandarin: LPCM 2.0 Mono
English: LPCM 2.0 Mono
English
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 2.0 | |
| Overall | 3.5 |
Note: There's perhaps a bit of a cinematic analog to the old conundrum, "Which came first, the chicken or the egg?" with regard to at
least
two of the three offerings 88 Films is releasing in tandem, namely The Angry River and The
Invincible Eight, though 88 Films is also including this somewhat later film as part of the trio. See below for details.
The Angry River and The Invincible Eight are among the very first productions undertaken by the then brand spanking new Golden
Harvest, with both coming out within weeks of each other in 1971. The Himalayan came out several years later, but it has at least a few
tethers to the other two films, including star Angela Mao and fight choreographer Sammo Hung (who also appears in a small role). While certain
aspects of The Himalayan are definitely old hat, the film's very title may point out one of its more distinctive characteristics, namely that a
lot of the film was shot in Nepal (commentators Frank Djeng and Michael Worth discount the possibility that there may have been some location
shooting in Tibet as well, as the film's PR advertised, as political realities circa 1976 would have probably prevented a Hong Kong crew from filming
there).


The Himalayan is presented on Blu-ray courtesy of 88 Films with an AVC encoded 1080p transfer in 1.85:1. The back cover of this release states that this is a new 2K restoration from the original negative. I'd rate this as certainly more consistently clear and well detailed looking than the intermittently blurry The Invincible Eight, but maybe not quite at the eye popping saturation levels of The Angry River. There are certainly moments here, especially the renderings of ubiquitous red tones, where the palette can be close to as vivid as that seen in The Angry River, but perhaps a bit more than in that film there's a tendency toward somewhat degraded, more brown looking, material where grain can be grittier and fine detail levels ebb a bit. There's a very slight digital looking quality to some of the lesser quality material which may disclose some attempts at correction or homogenization.

The Himalayan features LPCM 2.0 Mono tracks in either Mandarin or English. While the overall sound of these is largely interchangeable, rather interestingly, the two don't always mirror each other in terms of where underscore and even some ambient environmental effects are used. While I wouldn't argue there are any huge differences in amplitude or overall ambience between the two tracks, certain isolated moments like the opening narration sounded more full bodied to me in the English version than in the Mandarin. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.


Perhaps slightly hilariously given the fact that Golden Harvest was created as an "answer" to Shaw Brothers, this film, like the two others 88 Films is releasing in tandem, isn't shy about "borrowing" from the ostensible rival studio, albeit in this instance perhaps in terms of some of the mid to late seventies' emphasis on more salacious sexual material and flashes of full frontal nudity. You'd think the Himalayas might be too cold for stuff like that, but joking aside, those very moments of prurient interest (and maybe a disturbing moment or two) may point out how divergent The Himalayan is in terms of content and tone. Technical merits are generally solid, and both the commentary and interview very enjoyable. Recommended.