7.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Footage of a concert held in Ghana to celebrate the 14th anniversary of the independence of that country.
Starring: Wilson Pickett, Santana, Roberta Flack, The Staple Singers, Ike & Tina Turner| Music | Uncertain |
| Documentary | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.32:1
Original aspect ratio: 1.33:1
English: LPCM 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 3.0 | |
| Audio | 4.0 | |
| Extras | 3.0 | |
| Overall | 3.5 |
There's a troubling subtext accompanying Soul to Soul, a fascinating and often viscerally compelling documentary covering a 1971 music festival in Ghana in celebration of their Independence Day. Several prominent American recording artists were invited to the event, and that's where the subtext comes in. Among the stars were headliners Ike and Tina Turner, and Ike's glowering presence throughout probably can't help but remind fans of some of the more disturbing information imparted by Tina about her marriage, information that was of course later utilized as a central focus of What's Love Got to Do with It (still kind of weirdly unavailable on an official Region A Blu-ray as of the writing of this review). Interestingly in that regard, it's arguably Wilson Pickett who gets the biggest response from Ghanaian fans at the airport when they arrive, and it may be Santana's set that ends up having the most impact on a rapt audience.


Soul to Soul is presented on Blu-ray courtesy of Liberation Hall with an AVC encoded 1080p transfer in 1.32:1. The back cover mentions "high quality 2K transfers from the original film elements" (you know, unlike those low quality 2K transfers), without overtly specifying exactly what "original film elements" were utilized. The 16mm format presents a few challenges along the way, with detail levels fluctuating, especially with regard to variant lighting conditions. Some of the interior plane material, for example, has a purplish cast to blacks and almost blue tinged grain, and there are some quite noticeable variations in suffusion and color temperatures at various junctures. There's also quite a bit of damage, some quite large, as in the crescent shape scar on screenshot 1 next to Ike's jawline. All of this said, a lot of the concert material and brightly lit interstitial candid footage offers a nice looking palette and generally decent detailing.

Soul to Soul features LPCM 2.0 audio. The musical segments are really nicely fluid sounding, and everything from the battery of drumming to exuberant vocals to some fantastic rhythm section work by both horns and guitars in particular sounds problem free. Several kind of sweet non musical moments document some of the "meet and greet" activity, with Ghanaian dialogue featuring forced English subtitles.


One of the major if unsung tethers linking Ghana with the United States in this concert, the great Ghanian drummer Obo Addy (included on one of the commentary tracks), lived in Portland for most of his later life and was in fact my next door neighbor in northwest Portland many years ago. Somewhat hilariously, Obo had been regularly rehearsing his band Kukrudu in his basement and I had also been rehearsing my band in my basement when one night suddenly another neighbor literally burst through my side door from my yard into my basement screaming and yelling that he had already warned us about too much noise, at which point I attempted to tell him I had never seen him before and perhaps he had been next door at Obo's place. The exasperated elder threw up his hands, exclaimed, "Two bands! I can't take it!" and stormed off, never to be heard from again. My hunch is that perturbed individual would not have made it through 30 seconds of the exuberant (and unabashedly noisy) music featured here, but for those with a higher tolerance for lots of boisterous energy, Soul to Soul offers some arresting performances, if also that kind of scary glowering presence of Ike hovering over everything (and everyone). Video here is not in the best shape, but that's probably going to be offset for many by the historical importance of the concert and the generally great sounding audio. The supplementary commentaries in particular are also interesting. With caveats noted, Recommended.