5.9 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
An ex-military convict seeks a fresh start in a small town, but his past catches up as he finds love amidst danger and chaos.
Starring: Shameik Moore, Blair Underwood, Rockmond Dunbar, Michael Harney, Paris Jackson| Thriller | Uncertain |
| Action | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English SDH
Blu-ray Disc
Single disc (1 BD)
4K Ultra HD
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 0.0 | |
| Audio | 4.5 | |
| Extras | 2.5 | |
| Overall | 3.5 |
As a writer/director, RZA is working to address certain issues in the black community. He was last seen trying to make sense of a post-Hurricane Katrina mess in 2020’s “Cut Throat City,” and now he takes on the rise of white power groups in America’s heartland in “One Spoon of Chocolate” (an odd title, but it’s explained in the picture). Of course, a lifelong fan of action cinema, RZA isn’t about to handle a story about hate and fear too seriously, electing to transform racial conflict into exploitation cinema, treating the production as though it was created in 1975. “One Spoon of Chocolate” has a lot of rage and a few potentially compelling ideas on the agitation of a nation, and certain scenes retain power. It’s also a very cluttered movie packed with half-realized ideas, missing editorial snap as the endeavor meanders to a violent conclusion.


Screencaps do not fully reflect final product.
The SDR image presentation for "One Spoon of Chocolate" delivers strong detail throughout the viewing experience. Skin particulars are precise at
times, along with costuming. Interiors preserve decorative additions around living spaces and gang compounds. Exteriors are deep, exploring street life
and community activity. Color is sharp, with defined primaries on style and design choices. Red blood is rich. Skin tones are exact, along with hair color.
Blacks are deep, preserving evening activity and shadowy events. Compression mostly holds together. Interestingly, white "specks" that might be dead
pixels are a common sight, and they don't appear to be a "grindhouse" addition to the movie.

The 5.1 DTS-HD MA mix balances dialogue exchanges from a variety of actors and their skill levels. Scoring selections offer sharp instrumentation and decent dramatic emphasis, and soundtrack selections secure crisp vocals. Surrounds aren't incredibly active, working with occasional musical moods and atmospherics. A few panning effects are utilized for vehicle movement. Low-end adds some weight with violent activity and beats.


"One Spoon of Chocolate" gets wilder as it hunts for a resolution, visiting the gang's lair, where sex and drugs aid the celebration of white authority, and Jimmy struggles with his place on a literal throne. RZA adds Proud Boys imagery to intensify the conflict, and the feature launches a major third act battle as Unique gears up for war against a group dedicated to ruining lives. The endeavor offers rough violence to help maintain viewer attention, but RZA has a bigger plan for "One Spoon of Chocolate," looking to address American history and ruinous race relations, chewing through tensions between Unique and his enemies. It's a lot to put at the end of an already unwieldly movie, doing little to bring the offering to a thunderous close. But it's ambitious in some ways, though RZA's passion to address hate can't magically make a semi-clumsy picture profound.