| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Diego is a crook and a hooligan for "Racing Club", one of Argentina's greatest soccer teams. While sitting in his car in the middle of nowhere and participating in a quiz show about his beloved football team, a man suddenly falls from the sky and into his windshield.
Starring: Mariana Anghileri, Constanza Cardillo, Edgardo Castro, Matías Lértora, Paula Manzone| Foreign | Uncertain |
| Thriller | Uncertain |
| Action | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
Spanish: DTS-HD Master Audio 5.1
Spanish: LPCM 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 2.0 | |
| Overall | 3.5 |
The venerable Oxford English Dictionary alleges that the term hooligan may have stemmed from the surname of a "rowdy Irish family" who were the subject of a 19th century music hall song. Somehow that term has morphed to mean "fanatical soccer fan" in the everyday parlance of Ireland's sometime nemesis Great Britain, and while Argentinians along with the rest of South America evidently have their own term for this kind of diehard supporter, namely barra brava, "hooligan" is the word utilized on both the back cover and subtitles of this release to help identify focal character Diego (Demián Salomón). Diego is obviously a tough character, sitting in a somewhat dilapidated blue Dodge in the middle of a field and chain smoking cigarettes while he listens to a radio quiz show about his favorite team. Diego can't believe the stupidity of the contestant vying for prize money, and calls into the station himself, where he's put on air and easily answers a slew of questions, moving him on to the next round. Another term with some interesting etymology, Deus ex machina, may come to mind as the first of several completely gonzo plot twists are introduced. If Deus ex Machina refers to "god from a machine", indicating some kind of saving presence that descends from the sky to make everything right and whole, Diego is suddenly beset with not one but two bodies coming down from above, though they're probably the polar opposite of any kind of saving grace. The first body is actually that — a body, as in a previously living individual, which suddenly drops and smashes the windshield of Diego's old car. Within seconds a fiery plane crash then "delivers" a combative woman named Paula (Mariana Anghileri), whose appearance may initially seem as random as a dead body falling out of the sky and destroying a windshield. Both of those incidents of course turn out to be anything but random.


Punto Rujo is presented on Blu-ray courtesy of MVD Visual with an AVC encoded 1080p transfer in 2.39:1. I haven't been able to track down any real technical information and the IMDb has nothing much as of the writing of this review, but cinematographer Mariano Suárez's website has several photos of him with Arri cameras, including one that looks like it may have been taken on the location work for this film. One way or the other, this is an appealingly sharp and well detailed presentation most of the time, though some of Loreti's stylistic flourishes which are arguably unnecessary to either the story or its visual allure can be intentionally depleted of fine detail (see screenshot 3). The outdoor color material is very subtly graded to emphasize the yellow and blue tones that predominate, but it's in these sequences where fine detail tends to resonate the best. Black and white and/or black and white with color (as in screenshots 3 and 9) also tend to offer surprisingly consistent detail levels despite often dark surroundings and intentionally tweaked contrast. There are some passing issues with banding including some of the production mastheads but also during the actual film. The film's evidently very small budget means some of the special effects aren't especially artful, including the supposed explosion that results from the plane crashing early in the story (see screenshot 8).

Punto Rojo features a nicely propulsive DTS-HD Master Audio 5.1 track in the original Spanish (an LPCM 2.0 track is also provided). A kind of snarly, guitar infused rock score helps to propel the story and features clear engagement of the surround channels. While subtle at times, there's even appealing directionality in some of the early scenes with Diego in his car. Both the many outdoor scenes as well as flashbacks in more claustrophobic environments provide good placement of ambient environmental sounds. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.


The commentary included on this disc gets into some rather interesting contextual information, including the evidently desperate straits of Argentina's economy, an aspect that is kind of subliminally there in the film vis a vis Diego's obvious plight and attempts to win a radio contest, but which is nonetheless perhaps not the first thing viewers will be thinking of as they're confronted in rapid succession by a trio of intertwined characters, all with some dubious histories. This frankly may not work all of the time, and its very black sense of humor and graphic violence may not be to everyone's taste, but Punto Rojo is a gonzo tale that kept me quite engaged. Technical merits are solid, and both the included short and commentary track very enjoyable. Recommended.