| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
| Film-Noir | 100% |
| Drama | 77% |
| Crime | 52% |
| Mystery | 10% |
| Romance | 5% |
| Action | Insignificant |
| Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio Mono
English SDH
Blu-ray Disc
Three-disc set (3 BDs)
Region A, B (C untested)
| Movie | 3.0 | |
| Video | 3.5 | |
| Audio | 3.5 | |
| Extras | 0.0 | |
| Overall | 3.0 |
Kit Parker Films and Mill Creek Entertainment continue their deep dive into what might be thought of as the substratum of film noir with
this
third collection culled from the Columbia catalog. The fact that this latest offering supposedly spans the years of 1956 through 1960 may give
some indication of
just how deep this particular dive is, since many film fans will probably (rightly or wrongly) feel like the late fifties and first year of the
sixties are decidedly past the heyday of film noir. (That "supposedly" is in the previous sentence because the earliest actual release date
for the films in this set seems to actually be 1957, not 1956, which perhaps makes my point even better.) Still, as with the first two collections,
there are some really interesting films in this set,
and genre aficionados will most likely find at least a few titles in this set, including some more British productions, that may well spark interest.
For an overview of the previous two releases in this series, please click on the following review links (which, like this one, will contain links of their
own pointing to reviews of the individual films in the set):
Noir Archive Volume 1: 1944-1954 Blu-
ray
review
Noir Archive Volume 2: 1954-1956 Blu-
ray
review


Video quality of each film is assessed in the above linked reviews.

Audio quality of each film is assessed in the above linked reviews.

None of the three discs in this set feature any supplements.

1956 and/or 1957 to 1960 may indeed be well past the perceived heyday of film noir, but this collection proves that least noir-ish elements were still being regularly utilized in a number of Columbia programmers. The Crimson Kimono is probably the best overall film in this set, but there are a number of undeniable pleasures to be found in any number of the other films included. Technical merits are generally solid, and for genre fans at least, Noir Archive Volume 3 comes Recommended.