6.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Recently incarcerated, Baron strikes up a friendship with his new cellmate, a man with a history of prison breaks. As they hatch a plan to escape, Baron recalls how he met the love of his life and how they came up with a scheme to rob a bank.
Starring: Joe Keery, Camila Morrone, Aldis Hodge| Drama | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 3.0 | |
| Overall | 3.5 |
Keir O’Donnell is a longtime actor, perhaps best know for his role in 2005’s “Wedding Crashers.” He makes his directorial debut with “Marmalade,” also taking a writing credit on the picture, which follows the planning stages of a young man in love with a wild woman, with their union newly focused on a bank robbery to deal with rising pharmaceutical prices. It’s not an original study of carelessness, but O’Donnell attempts to add some turns to the plot, juicing up its potential as a mystery. “Marmalade” rides the line between quirky and clever, and one really starts to feel the length of the feature in the final act, finding O’Donnell taking his time organizing a way out of the story. But there’s charm in the movie, which is helped along by enthusiastic performances, and technical proficiency is present, adding some style to help digest the unsteady endeavor.


The image presentation (2.39:1 aspect ratio) for "Marmalade" deals with mostly warmer colors, with cinematographic interests in golden sunlight and softly lit rooms. Hues are accurate throughout the viewing experience, extending to vivid pinks on the eponymous character and cooler looks at prison life. Primaries are defined, and greenery is distinct. Skin tones are natural. Detail is generally strong, exploring textured interiors as the action moves from prison interactions to living spaces. Exteriors maintain depth. Skin particulars are appealing, along with fine hair. Costuming is fibrous. Delineation is satisfactory. Very mild banding is periodically encountered.

The 5.1 DTS-HD MA leads with acceptable dialogue exchanges, offering clarity with performance choices and accents. Scoring provides dramatic support with defined instrumentation. Soundtrack selections are also lively, with crisp vocals. Surrounds offer milder musical support, and atmospherics are acceptable. A few separation effects are found along the way, and sound effects register crisply. Low-end isn't too alert, mostly reserved for musical beats and brief elements of violence.


"Marmalade" works with Baron's prison cell story time, and O'Donnell adds some changes in perspective along the way to keep things involving, especially with Otis, who's caught up in the unfolding tale of the dream woman and pharmaceutical corporation rage. The helmer has some trouble landing the feature after an involving hour of wild behavior and troubling realities, keeping the final act a little too knotted, with O'Donnell trying to remain one step ahead of viewers, but it's debatable if they'll be interested in the climax to begin with. "Marmalade" remains afloat due to lively performances and a sense of cinematic movement from the production, which creates an energetic introduction to these wounded characters and their grand plan to take on the system through crime.