6.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
The friendship between two orphans endures even though they grow up on opposite sides of the law and fall in love with the same woman.
Starring: Clark Gable, William Powell (I), Myrna Loy, Leo Carrillo, Nat Pendleton| Romance | Uncertain |
| Crime | Uncertain |
| Drama | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0 Mono
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 5.0 | |
| Audio | 4.5 | |
| Extras | 2.5 | |
| Overall | 4.0 |
A pre-Code crime drama that doubles as the last movie that John Dillinger ever watched, W. S. Van Dyke's Manhattan Melodrama earns every bit of its title in the opening 10 minutes. It's led by a dependably charismatic performance from rising star Clark Gable but he's almost overshadowed by the chemistry between Myrna Loy and William Powell; this marks their first on-screen pairing, and they'd be quickly re-teamed later that year in Van Dyke's own The Thin Man, a massively popular film that would spawn five sequels and numerous other films. Breezy and entertaining every step of the way, Manhattan Melodrama holds up 90+ years later as a turning point in several of its stars' careers.

I'll freely admit that these rapid-fire melodramatics elicited at least a few half-nervous chuckles out of yours truly, and possibly even a full-on belly laugh. It marks an overcooked but wildly entertaining start to what thankfully tightens into a character study where Blackie and Jim grow up, Goofus and Gallant-style, into polar opposites who surprisingly retain the shared spark of a childhood friendship. Adult Jim (Powell) has remained on the straight-and-narrow towards a law degree and is currently campaigning to be District Attorney, whereas ol' Blackie (Gable, obviously) now runs an illegal gambling operation and winks his way through regular planned police raids. The latter also has an outspoken girlfriend in Eleanor (Loy), who clearly loves Blackie but still tries in vain to change him for the better.
It doesn't take a rocket surgeon to figure out Eleanor won't be in his arms for much longer. When Blackie asks her to accompany Jim to the Cotton Club after last-minute business comes up, Eleanor reluctantly obliges but is immediately won over by Jim's decent behavior and casual confidence. They're a great match (a sentiment that also applies to the actors themselves, of course) and she soon sees Blackie for what he is, especially after the lifelong hustler resists her plea to settle down one final time. Eleanor and Jim do indeed reconnect, but it's not until during and after a period when Manhattan Melodrama reclaims its title with a flurry of theatrics including unpaid gambling debts, a lost overcoat, at least two murder cases, political drama, and a weighty decision that might lead to the death penalty.
Manhattan Melodrama certainly exercises truth in advertising yet still manages to feel grounded more often than not, as it goes down
exceptionally smooth thanks to its excellent casting, great performances, and a bit of pre-Code edge, not to mention capable direction from W. S.
Van Dyke. (George Cukor also made a few uncredited contributions when Van Dyke was not available.) This film can and will surprise new viewers
in a variety of ways and, for those reasons and several others, it can surely be classified as buried treasure worth rediscovering. As luck would
have it, Warner Archive has brought Manhattan Melodrama back to life on Blu-ray more than nine decades after its debut with yet another
top-tier restoration and a nice little assortment of era-specific bonus features for good measure.

A reliable source has informed me that Warner Archive's new restoration of Manhattan Melodrama was sourced from a new 4K scan of "best available source elements". This isn't surprising since countless Golden Age MGM negatives were lost in the 1978 George Eastman House fire but most of the studio's films were backed up with fine-grain safeties made over a decade earlier. What is surprising is how much this restoration resembles a genuine camera negative as it sports superb fine detail, stable black levels, and an overwhelmingly strong grain structure with only faint whiffs of contrast fluctuation and white blooming. Warner Archive has always produced consistently excellent results no matter the source material, but this is one case when I've actually been fooled into thinking all (or at least most) of it was indeed taken from first-generation elements. Not surprisingly, it earns top marks for these strengths and more, which also include excellent encoding and a high bit rate on this dual-layered disc. As always, buy with extreme confidence.

The DTS-HD 2.0 Master Audio mix follows suit with another clean and stable presentation of its one-channel source audio split evenly into a two-channel spread for wider playback. Any and all source-related damage has been kept to a minimum as only small amounts of hiss can be heard along the way, which typically indicates that no noise reduction was applied. As always, it's fine work that doesn't call attention to itself and earns another strong rating.
Optional English (SDH) subtitles are included during the main feature only, not the extras listed below.

This one-disc release ships in a keepcase with poster-themed cover art; a few vintage extras are also on board.

W. S. Van Dyke's underrated Manhattan Melodrama features a trio of great performances from Clark Gable and future Thin Man stars William Powell and Myrna Loy. It's a classic story that still surprises with its memorable characters and pre-Code edge, not to mention excellent cinematography by the prolific James Wong Howe and great music from MGM mainstay William Axt. Warner Archive's excellent Blu-ray makes the film look and sound as good as a first-run showing, which is just one more reason to (re)discover this hidden gem. Highly Recommended to classic film lovers.

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