5.9 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
During an anniversary getaway at a remote cabin, a wife is left alone after her husband departs, only to confront a sinister presence that exposes the cabin's chilling past.
Starring: Rossif Sutherland, Tatiana Maslany, Tess Degenstein, Birkett Turton, Erin Boyes| Horror | 100% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1
English SDH, French, Spanish
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
| Movie | 2.0 | |
| Video | 3.5 | |
| Audio | 5.0 | |
| Extras | 2.0 | |
| Overall | 3.0 |
Writer/director Osgood Perkins is working fast these days, and perhaps for good reason. He scored a major hit in 2024’s “Longlegs,” blessed with a slick marketing campaign to bring big screen chills to the summer season. The feature worked for some viewers, and Perkins was right back at it in 2025’s “The Monkey,” reviving his love of slow-burn creepiness in a Stephen King adaptation that worked for, well, less viewers. Perkins isn’t wasting any time once again, returning with his second release of 2025 in “Keeper,” which continues his career obsessions with macabre imagery, screen stillness, and shock value, only he’s really in no hurry to offer much of anything this time around. “Keeper” is a small picture, sticking mainly to one location, and it’s not effective as a chiller, finding the helmer essentially repeating himself with another glacially paced nightmare.


Screencaps are taken from the Blu-ray.
The image presentation (1.85:1 aspect ratio) for "The Keeper" mostly deals with moodier cinematography, trading brighter primaries for cabin browns,
golden honey, and autumnal greenery. Costuming brings out more varied hues, and specific imagery involving otherworldly happenings is distinct. Skin
tones are natural. Detail is capable, doing well with close-ups, getting into pores and fine hairs, and overall skin particulars maintain texture. Cabin
interiors are also defined, exploring decorative additions and wood construction. Wet cake slices are also noted. Exteriors retain depth, helping to
appreciate the remote location. Compression issues are common, finding banding creeping into view. Posterization is noticeable, along with blockiness.
Highlights aren't particularly strong, with an overall muted quality to the viewing experience.

The 5.1 DTS-HD MA track delivers fresh dialogue exchanges with performances that often hit every syllable available. Conversations and accusations are balanced, without distortive extremes. Scoring maintains sharp instrumentation with moments of creeping suspense, and musical moods feed into the surrounds at times, generating a nicely immersive listening event. Soundtrack selections offer sharp vocals. Atmospherics are appreciable, exploring cabin echo and forest expanse. Sound effects are exact, examining strange sounds around rooms and crisp violence. Low-end isn't too challenged, but livelier encounters carry some weight.


"Keeper" is going somewhere, but it takes a whopping 70 minutes before Perkins reveals his destination for the story. It's an eternity for a movie like this, and those already tuned in to the helmer's wavelength will probably be able to comprehend what's going on before any reveals occur, as Perkins isn't exactly exploring fresh creative terrain here. "Keeper" doesn't provide much bang for the buck, bordering on the absurd at times, but there's Maslany's performance, with the actress trying her best to whip herself into a panic for the production, offering some compelling freakouts (Sutherland is too overly mannered to take seriously). She's the lone bright spot in this laborious, unrewarding picture, finding Perkins getting a little too close to self-parody this time around.