7.4 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
4, also known as Foreigner 4, is the fourth studio album by the British-American rock band Foreigner, released on July 2, 1981, by Atlantic Records. The album's name signifies that it is the band's fourth studio album and also the fact that the band's membership had reduced from six to four members. Musically, it showed Foreigner shifting from hard rock to more accessible mainstream rock and pop music.
Starring: Lou Gramm| Music | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 2.0
None
Blu-ray Disc
Five-disc set (1 BD, 4 CDs)
Region A (B, C untested)
| Movie | 4.5 | |
| Video | 0.0 | |
| Audio | 5.0 | |
| Extras | 5.0 | |
| Overall | 4.5 |
Lots of major acts have amassed sales in the tens of millions, but many of them have had to achieve that remarkable feat over careers that lasted decades. In that regard, Foreigner's membership in that particular club came courtesy largely due to a relatively few five albums released across the equally relatively brief period of seven years, give or take, which may subliminally indicate how seemingly inescapable they were on radio (and, later, MTV, especially salient in terms of this album's original release date) back in the day. 4 was perhaps unsurprisingly the fourth effort from the band which had also recently reformed as a quartet, giving the title another layer, and was the only album to get to Number 1 on the Billboard album charts on this side of the pond. The famously "international" band did get to Number 1 in the UK, with their follow up, the fifth of the albums alluded to above, Agent Provocateur, though kind of weirdly that album didn't totally catch fire in the United States. As "hook"-y as Foreigner's material typically is, and with consistent production gloss, I'd personally argue that it was the unmistakable plaintive tenor of Lou Gramm which really propelled the band's airplay in particular. It's kind of interesting to compare Gramm with other contemporary high belters like Steve Perry from Journey, and 4 certainly shows Gramm off to excellent advantage. This is another pretty overwhelming release from Rhino, with four CDs offering a glut of previously unreleased material (actually due to the new stereo remix, everything on this disc is "previously unreleased", at least in a way). See below for more information on what else is included.


This is another of Rhino's audio Blu-rays with a static menu, and unfortunately (though perhaps understandably given the aforementioned bonus stereo track), the disc has been authored once again to force listeners to navigate through the track list to get to the audio codec choices. Changing codecs starts the song over. Again, perhaps due to the "dual menus" and slightly different track lists, even the audio button on your remote will not allow toggling between codecs. Screenshots 9 and 10 show how the colors/fonts change when you scroll before choosing a track.

Foreigner 4 features Dolby Atmos and DTS-HD Master Audio 2.0 options, and my hunch is the only complaint some fans may have with this release is that the original stereo mix is not included on either the audio Blu-ray or any of the CDs. That said, both of the options on the Blu-ray are beautifully rendered, and while going from a CD player to a Blu-ray player is not the most authoritative (let alone convenient) way to do a "side by side" comparison, I didn't hear anything so odd in the stereo remix that it caught my attention. The Atmos mix is really nicely spacious and has clear engagement of the side and rear channels throughout. Several nice moments, like those diaphanous synths that begin Waiting for a Girl Like You, also nicely waft overhead in the Atmos version. There's also really appealing discrete channelization at times, as in (more) synth punches emanating from the rear speakers in Night Life, while guitars blast out of the front speakers. Gramm's inimitable voice soars above everything, though backups are really well splayed (tending toward the rear) and to my ears a bit more evident in the Atmos version than the stereo.

CD 1: "4" STEREO REMIX

I had a buddy back in the day who (I kid you not) used Waiting for a Girl Like You as an actual come on song (as opposed to a come on line) in public emporia, as in he would walk up to a female in a bar and start singing it to them. It helped that he had a really good tenor voice himself (his older brother is a pretty famous jazz guitarist, for mystery hunters), and it always struck me as slightly hilarious that at least some of the "targets" actually reacted positively to the approach. That may indicate just what an impact this album and that song in particular made in the early eighties. Rhino has done Foreigner's fans a solid with this release, offering a great sounding audio Blu-ray (albeit without the original stereo mix), and some amazing supplements on CD and in the accompanying text. Highly recommended.