8.1 | / 10 |
| Users | 4.5 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
Cat is a solitary animal, but as its home is devastated by a great flood, he finds refuge on a boat populated by various species, and will have to team up with them despite their differences.
| Foreign | 100% |
| Animation | 40% |
| Family | 17% |
| Adventure | 10% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.00:1
Original aspect ratio: 2.00:1
English: DTS-HD Master Audio 7.1 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Three-disc set (3 BDs)
4K Ultra HD
Region A (locked)
| Movie | 4.5 | |
| Video | 4.0 | |
| Audio | 4.5 | |
| Extras | 5.0 | |
| Overall | 4.5 |
The first independent film to take home an Oscar for Best Animated Feature and a rare non-live action entry into The Criterion Collection, Gints Zilbalodis' Flow was a breakthrough effort for the Latvian filmmaker. It was also the first film he put together as part of a team, working closely with fellow animators, producers, and others (including members of the production companies Take Five and Sacrebleu) rather than doing everything himself. Continuing his penchant for completely dialogue-free stories driven fully by visuals and atmosphere, Flow follows a dark grey cat and other animal survivors of a catastrophic flood as they navigate the human-free world with little more than a derelict boat and their own instincts. Excluding the director's earlier work like Away (included on this release as an extra), there's little to compare it to besides for similarly meditative animated films like 2016's outstanding The Red Turtle.

While it can certainly be enjoyed or at least appreciated at face value, Flow aims for something a little deeper with central (but hardly preachy) themes and story elements related to climate change, human nature by way of ever-so-slightly anthropomorphized animals, and nature's unyielding life cycle. Several merciless moments may not sit right with extremely sensitive and/or younger viewers, while a few more abstract and ethereal developments may require explanation. No matter -- Flow is such an ultimately uplifting and rewarding experience that it's the kind of film you'll enthusiastically recommend to anyone and everyone after seeing it for the first time. Made with unrivaled attention to detail that required careful animal study and absolutely no motion capture, real-world audio recordings (which led to an unexpected change in casting for the capybara's "voice"), and stunning 3-D rendered backgrounds that allowed Flow's animators to plot out the entire film with a full animatic rather than storyboards, the end result feels like both a giant leap forward for independent animation and a tantalizing glimpse of things yet to come.
Though it was available on Blu-ray and UHD earlier this year via import, Criterion has thankfully shepherded Flow to domestic audiences in short order via a 4K/Blu-ray combo pack and a stand-alone Blu-ray edition. Both also include co-writer/director Gints Zilbalodis' earlier 2019 full-length film Away and a full disc of additional bonus features, many of which feature participation from key members of the cast and crew. Add in the expected high-quality A/V presentation and beautiful packaging and you've got one of the year's most unexpected surprises on home video.
Please note that "Flow" runs for a brisk but full-bodied 85 minutes; the "160 minutes" listed above also includes Gints Zilbalodis' 2019 animated
film "Away", presented here as a bonus feature and detailed below.

NOTE: These screenshots are sourced from the included Blu-ray, available separately and reviewed here.
Flow might be the very first Criterion Collection release I've ever gotten that doesn't advertise any technical details regarding the transfer or mastering other than it being "director-approved", which leads me to believe that both the 4K UHD and Blu-ray discs make use of the same materials -- and possibly even encoding -- as those used for Curzon Film World's UK editions released earlier this year. (Criterion's 4K disc is indeed triple-layered whereas the Curzon disc is a BD-66, but it also includes the feature-length film Away.) Either way, that's hardly a complaint since Criterion's 4K is a predictably strong and stable effort and runs at an exceedingly high bit rate that often ventures into 90 Mbps territory. Fine detail is object-dependent with character designs that feature little to no true textures, while the backgrounds are comparatively a lot more complex; the latter shine brightly in UHD even when "limited" to SDR, if only because the colors and toon-shaded lighting are so stylishly dramatic that further enhancement doesn't feel necessary.
That said, Flow's particular visual style exhibits rather strong banding and even noticeable pixelation on countless occasions so, in many respects, it's basically impossible to determine where native shortcomings end and possible authoring defects begin. But given that every other version of Flow that's I've seen -- trailers, stills, work-in-progress demos -- features these same issues to varying degrees, I'm fairly confident that Criterion's 4K edition is about as strong as the film will ever look on home video... but I'm still a bit hesitant to award it truly perfect marks.

Similarly, first-timers might think that the dialogue-free DTS-HD 7.1 Master Audio mix represents "almost, but not quite" since Dolby Atmos is so prominent nowadays, but I can say more confidently that 7.1 is Flow's native format so I'm certainly glad it was preserved here. And while it somewhat surprisingly doesn't feature a consistently active sound field considering much of the subject matter, this mostly front-forward presentation does indeed open up dramatically during key moments including those involving harsh weather, heavy atmospheric activity, and of course more ethereal and/or dreamlike segments, will plenty of room for the score by Gints Zilbalodis and Rihards Zaļupe. It's another solid effort considering the film's modest roots and, as such, earns similarly near-perfect marks.
Optional English SDH subtitles are included during the film and all bonus features (a rarity for Criterion releases), although both the main feature and Away are all 100% dialogue-free so only descriptions are present.

This three-disc release ships in a gorgeous foil-enhanced Digipack case with attractive artwork throughout; the 4K disc sits by itself on the left, whereas both Blu-rays are on adjacent overlapping hubs. Also tucked inside is a folded insert booklet with more artwork and a new essay by critic Nicolas Rapold, as well as a sticker sheet for the kids.
The impressive on-disc bonus features are mostly exclusive to Criterion and spread across all three discs.
DISC ONE (4K UHD movie disc)
DISC TWO (Blu-ray movie disc)
DISC THREE (Blu-ray bonus features)

Gints Zilbalodis' Oscar-winning Flow is just about as brilliant as you've heard, a fairly original animated adventure with an accessible story, great music, and uniquely effective visuals that carry the film for all 85 dialogue-free minutes. This is probably the best film of its kind that I've seen since 2016's The Red Turtle and will likely stand the test of time while further opening the door for another wave of independent animated films from talented artists and storytellers around the world. Criterion has thankfully brought Flow to domestic audiences quickly as either a 4K/Blu-ray combo pack or a stand-alone Blu-ray edition, both of which include supportive A/V merits, Zilbalodis' excellent feature-length 2019 animated film Away, and a full disc of worthwhile bonus features. Very, very Highly Recommended.

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