| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
See individual titles for their synopses.
| Foreign | 100% |
| Crime | 16% |
| Sci-Fi | Insignificant |
| Thriller | Insignificant |
| Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1, 1.78:1
Original aspect ratio: 1.85:1
Japanese: LPCM 2.0 (48kHz, 24-bit)
English
Blu-ray Disc
Two-disc set (2 BDs)
Slipcover in original pressing
Region A, B (locked)
| Movie | 3.0 | |
| Video | 3.0 | |
| Audio | 4.0 | |
| Extras | 3.5 | |
| Overall | 3.0 |
Note: The scores above are averages for the three films in this set. See the individual reviews (linked below) for scores on each individual
film.
For those unfamiliar with Takashi Miike, perhaps taking a cue from St. Thomas Aquinas’ famous quote about belief could be of some aid. Aquinas
wrote,
“To one who has faith, no explanation is necessary. To one without faith, no explanation is possible.” Taking that formulation as a foundation, one
might amend it slightly to say “For those who have seen a Miike film, no explanation is necessary. For those who haven’t, no explanation is possible.”
As I mentioned in the relatively recent reviews of
Takashi Miike’s Black Society Trilogy, this provocateur’s filmography is extremely varied, as well as extremely numerous. Somewhat
similarly to the Black Society Trilogy, a trifecta in name only (more or less), Miike’s Dead or Alive Trilogy offers only some relatively
tangential linking elements (including its stars, again like Black Society Trilogy) while serving up Miike’s typically hyperbolic take on various
underworld activities. In a way Miike tends to remind me at times of Quentin Tarantino, for he’s an artist with an obvious understanding of structure
and film technique who nonetheless is more apt than not to throw caution to the wind and dispense with traditional methods of exposition and
especially presentation in an effort to kind of virtually shake the audience into either submission or, perhaps, outright revulsion. Those with
squeamish
sensibilities are therefore probably best advised to approach Miike’s work with extreme caution, though those with a certain amount of fortitude will
discover a filmmaker of such unusual talents that one way or the other his productions are unforgettable.


Video quality of each film is assessed in the above referenced reviews.

Audio quality of each film is assessed in the above linked reviews.

As tends to be the case sometimes with Arrow compilations, the release has been assembled in an arguably odd way. The first two films share the first disc, while the third film (upscaled) is on the second disc "by itself", with some additional supplemental features. Features specific to each film in this set are detailed in the appropriate reviews, linked above. The second disc has the following more general supplements (in addition to those linked specifically to Dead or Alive: Final):

The law of diminishing returns catches up pretty seriously with this trilogy, with the first film offering the best overall story and style, and the two subsequent films providing less (and less) enjoyment. Technical merits are fairly variable here, and so my recommendation is to parse the screenshots carefully on the three individual reviews. As usual, Arrow has assembled a nice supplemental package which should be appreciated by Miike fans.