6.9 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
Different students from a high school cleaners group each deal with different pressures of being clean and pure while also discovering that the world is dirty and superficial to begin with.
Starring: Ianna Taguinod| Foreign | Uncertain |
| Drama | Uncertain |
| Coming of age | Uncertain |
| Comedy | Uncertain |
| Animation | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
Filipino (Tagalog): DTS-HD Master Audio 2.0
English
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 5.0 | |
| Audio | 4.5 | |
| Extras | 3.5 | |
| Overall | 4.0 |
Take a moment and watch the trailer for writer/director Glenn Barit's experimental Philippine coming-of-age drama. Intrigued? Truly unique and visually arresting, Cleaners aims to capture the joy and angst of adolescence, not just in the Philippines but the world over. Its young cast of complete unknowns was filmed in digital black and white on a Sony A7S camera; eye-piercing colors were later splashed on (in intentionally messy fashion) to identify key characters by hue; but it doesn't stop there. Pixilation, a stop motion animation technique in which live actors move static pose by static pose, rounds out the wholly striking image, giving the film a jarring judder that highlights the kinetic and the explosive, and somehow makes sweetness sweeter, pain more unnerving, injury more disarming, and moments of quiet repose more thoughtful. It's difficult to explain yet beautifully effective. Cleaners feels utterly (and ironically) spontaneous; its heart not so much on its sleeve as it is beating and bleeding, pinned to the front of each teen's chest. And the story? Both minimalistic and important, which is a far cry from most teen dramas released in the U.S.


"Every frame of filmmaker Glen Barit's Cleaners was printed, hand colored with highlighters, and then rescanned, giving each of its
angst-drenched emotions a singular handmade texture and the whole film a bone-deep nostalgia for growing up in the Philippines in the early aughts."
Any and all damage, print marks and visual anomalies are intentional in Cleaners' 1080p/AVC-encoded video presentation. You won't find
macroblocking, banding or other issues of the sort, but you also will never encounter anything "clean" or traditionally stunning. And yet the image is
just that: stunning, through and through. The black and white photography is stark and hotly contrasted, with crushing black levels and distinct
differences between lighter and darker portions of the image. Again, all intentional. Color, which arrives in singular splashes of bright, image-piercing
hues, is striking and powerful, and yes, bleeds out into the backgrounds at times. The frame rate too jags and jitters. All of it could be overwhelming,
and it is I suppose. But it's potency and poignancy are married in a love affair of stylized beauty, much of which is due to the stop-motion tampering of
the image. Detail is razor sharp, textures are revealing, edges are hyper-crisp, and the textile nature of each frame is delivered to perfection.
Cleaners's visuals may not be to everyone's liking, but its transfer couldn't be more flawless. Even if there are issues I've failed to detect, it
wouldn't matter. Every "problem" would only add to the experience of approximating the problematic world surrounding and vying to crush the film's
adolescents.

Music is key to Cleaners, as is the noise and fury of bustling walkways between classes and crowded gatherings. And yet despite the lack of LFE channel support and rear speaker activity -- the film is only afforded a DTS-HD Master Audio stereo mix -- the experience remains wholly engaging and enveloping. It's rare, in fact, to find such an effective stereo mix, and yet here it is. Voices are clear and intelligible (despite occasional dips in fidelity, which only enhance the docu-drama tone and tenor of the production), effects are clean and buoyant, prioritization is purposefully sloppy yet perfectly in tune with the needs of any given scene, and dynamics are quite good, relatively great even... yes, even without a 5.1 lossless beastie. It's possible I was so taken with Cleaners that it biased my impression of the audio track. It happens. But I'm quite certain that between its video and audio presentations, the film is just as it was meant to be seen and heard. And that goes a long, long way.


Even if the Blu-ray weren't up to snuff, Cleaners would come highly recommended. Fortunately, the Blu-ray is nothing but terrific, with a virtually perfect video presentation of the film's unique, highly stylized visuals, an excellent lossless audio track, and a solid series of extras. If the trailer appeals to you, I'd even recommend a blind buy.

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