6.5 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
A struggling musician sets out to find the legendary guitar maker Elmore Silk, with whom he hopes to strike a deal to make himself rich and famous.
Starring: Kevin J. O'Connor, Mary Joy, Robert Joy, Joe Strummer, David Johansen| Drama | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.67:1
Original aspect ratio: 1.66:1
English: LPCM 2.0 Mono
English
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 2.0 | |
| Overall | 3.5 |
For anyone who grew up playing either piano or organ, or for anyone who may have chosen a song from a jukebox back in the days when there
were jukeboxes, the name of Wurlitzer should be instantly recognizable. The company was founded by a guy named Franz Rudolph Wurlitzer,
and several generations down the line, two thirds of the founder's name were "ported over" to a descendant, one Rudolph (Rudy) Wurlitzer, born in
1937. This
particular Rudy Wurlitzer ended up making a name for himself with his writing, and a certain demographic of (cult?) film fans will probably
recognize
his name from such efforts as Two-Lane Blacktop,
Pat Garrett and Billy the Kid, Walker and/or Little Buddha*. That said, the maybe slightly subliminal connection between the Wurlitzer family name
and music is very much at hand in this fascinating film, which was actually co-directed by Wurlitzer, along with Robert Frank. As some of the
supplements get into, this might be perceived as another of Wurlitzer's "road movies", a la Two Lane Blacktop and Pat Garrett and
Billy the Kid, but in another way it's a kind of (anti?)hero's quest a la Joseph Campbell, albeit with maybe just a sprinkling of what I might
jokingly call a "musical Apocalypse Now" element
in terms of a guy in search of a mysterious shaman type hiding in an isolated location, a "searcher" who may end up getting something other than
what he bargained for once he does in fact find what he's after.
*Note: The last link points to an Australian release.


Candy Mountain is presented on Blu-ray courtesy of Film Movement with an AVC encoded 1080p transfer in 1.67:1. As usual with their releases, Film Movement doesn't provide a wealth of technical information on the transfer, though there is a passing mention of a "new 2K restoration" in the insert booklet included with this release. This is a really nice looking transfer, though some may share my opinion that things can look just slightly too dark at times. That darkness may actually help to improve the perception of a nicely saturated palette, though I found color timing to be maybe a bit too oriented toward yellows, which may be discernable in some of the screenshots I've uploaded to accompany this review. That said, there's a generally very natural look here that supports the kind of "backwoods" story that ultimately ends up happening, and a somewhat thick but still nicely resolved grain field helps to support that organic appearance.

Despite the amazing cast list mentioned above, Candy Mountain is not really a musical in any meaningful way, and as such audiophiles probably needn't be concerned that there is no surround or stereo offering on tap, just a nicely balanced and listenable LPCM 2.0 Mono track. When music is employed, it sounds fine, with no distortion, and all spoken material is delivered cleanly and clearly (even Tom Waits, and, yes, that's a joke). Optional English subtitles are available.


When I was a kid starting to experiment with electric keyboards and before I was able to afford what was then the rather expensive Fender Rhodes 88, I had a wonderful Wurlitzer electric piano, a model with an instantly discernable "harder" sound than the Rhodes, and a sound which some may associate with such great tunes as Mama Told Me Not to Come by Three Dog Night or The Logical Song by Supertramp. If the sound of a Rhodes might be compared to the diaphanous Impressionism of, say, water lilies by Monet, a Wurlitzer might be more like a cactus painted by Georgia O'Keefe. The same "gritty" that cool old Wurly offered in sonic form is here, actually in sonic form as well (even if guitars are used more than keys), but more importantly in terms of a kind of hardscrabble look and feel to things that is kind of peculiarly authentic seeming despite what is almost a magical realist quality to the storytelling.
(Still not reliable for this title)

1933

Wo die grünen Ameisen träumen
1984

2006

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2007

Slipcover in Original Pressing
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Morte a Venezia
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1981

Slipcover in Original Pressing
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2009