7 | / 10 |
Users | 4.5 | |
Reviewer | 4.0 | |
Overall | 4.0 |
After a family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Beetlejuice, Lydia's life is turned upside down when her teenage daughter, Astrid, accidentally opens the portal to the Afterlife.
Starring: Michael Keaton, Winona Ryder, Catherine O'Hara, Justin Theroux, Monica BellucciHorror | 100% |
Supernatural | 54% |
Fantasy | 52% |
Dark humor | 19% |
Comedy | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: Dolby Digital 5.1 (640 kbps)
English: Dolby Digital 2.0 (192 kbps)
Spanish: Dolby Atmos
Spanish: Dolby TrueHD 7.1
Spanish: Dolby Digital 5.1 (640 kbps)
Italian: Dolby Atmos
Italian: Dolby TrueHD 7.1
French: Dolby Digital 5.1 (640 kbps)
All Dolby Atmos tracks have a (48kHz, 24-bit) core not a (48kHz,16-bit) core
English SDH, French, Italian SDH, Spanish, Danish, Finnish, Norwegian, Swedish
Blu-ray Disc
Single disc (1 BD)
Digital copy
4K Ultra HD
Region A (B, C untested)
Movie | 4.0 | |
Video | 0.0 | |
Audio | 5.0 | |
Extras | 4.0 | |
Overall | 4.0 |
Beetlejuice Beetlejuice may not hold the record for longest time between sequels (that honor goes to Fantasia 2000), but this is a rare case where more than three decades actually seems to be worth the wait. Once again directed by the singular Tim Burton with appearances by a majority of the original cast, it's an entertaining and imaginative extension of 1988's Beetlejuice that doesn't really feel like a cheap cash-in. It lies somewhere between "better than the original" (Top Gun: Maverick) and "stale rehash" (Bill and Ted Face the Music) where 1980s franchises are concerned, thanks mostly to great casting, solid production design, and terrific practical effects. Simply put, it's showtime again.
Charles' funeral goes about as smoothly as possible under the circumstances, but soon enough personal relationships begin to add fuel to the already turbulent narrative. Delia has trouble grieving for her lost husband, Lydia is proposed to by Rory in a frightfully awkward public display and, during his sooner-than-expected reintroduction in the afterlife, old Betelguese himself (Keaton) is pursued by a soul-sucking ex-wife Delores (Monica Bellucci) whose case is handled by a B-movie action star turned underworld police office, Wolf Jackson (Willem Dafoe). Astrid seems like the only who who lucks out in the relationship department, as a seemingly random bike accident connects her with local teen Jeremy Frazier (Arthur Conti), with the two outcasts forming a quick bond due to his parents' lack of attention.
If Beetlejuice Beetlejuice is guilty of anything, it's an awful lot of subplots; there's simply a hell of a lot going on here, but somehow the pinballing narrative mostly works in its favor. Most sequels have a lack of ideas and stretch them to their absolute breaking point, but the 36-year gap since Beetlejuice offers proof that there was lots of lingering material to work with. The concept of "throwing everything at the wall to see what sticks" is nothing new in movie-land but the bulk of Beetlejuice Beetlejuice comes off way better than expected, as Burton's trademark approach to visual design -- moody lighting, German expressionism, stop-motion, and even a nod to Italian horror films of yesteryear -- ensure that it's never boring, only a littler scattershot. I'll take that any day of the week over a boring old rehash, as Beetlejuice Beetlejuice further makes its case for existence with several absolutely outstanding sequences (the dizzying climax, set to the cheesy, operatic "MacArthur Park" as performed by Richard Harris, is the green icing on the cake) and only a few brief duds, such as that whole Soul Train business and its somewhat patchy ending montage.
That's a roundabout way of saying that, like most cautiously optimistic theater-goers back in September, I enjoyed Beetlejuice Beetlejuice a
lot more that I thought I would. Some sequels are so bad that they make you question your love of the original, but this well-crafted extension just
makes me want to watch the 1988 film again so see how many more little connections are there. Both are enjoyable in their own right, and this
sequel clearly shares the same DNA without feeling like either a carbon copy or something so different that it'll just piss off fans of the
original. Warner Bros. offers Beetlejuice Beetlejuice in separate 4K or Blu-ray packages, with both sporting proportionately great A/V
merits and an identical slate of extras. An even better Steelbook combo pack is also available.
NOTE: These screenshots are sourced from the Blu-ray disc, available separately and reviewed here.
Unsurprisingly for an A-list studio movie -- especially one helmed by Tim Burton -- that's authored on a triple-layered (100GB) 4K disc, Beetlejuice Beetlejuice looks basically flawless from start to finish. Fine detail and textures are rock-solid, color reproduction is superb, black levels run deep, and the variety of textures inherent to different aspects of its outstanding sets and production design are on full display from start to finish. The HDR10 pass, which I watched in Dolby Vision, bolsters color saturation and dynamic range superbly, with shadow detail and overall balance being tack-sharp and incredibly faithful to its source material every step of the way. Disc encoding is superb, with the bulk of this film hovering in the 70-80Mbps range and displaying no aberrant signs of compression artifacts including banding, posterization, or macro blocking. In every way, Beetlejuice Beetlejuice looks as good as you'd expect it to.
The Dolby Atmos mix follows suit with a moody, dark, atmospheric, and largely aggressive presentation that perfectly suits its source material, prioritizing dialogue but leaving plenty of room for strong dynamics, object-based surround effects, clever use of the height channels, and of course plenty of low end that will test the limits of most consumer-grade subwoofers. (That's my subtle way of saying "be careful with this one".) Danny Elfman's terrific score, which of course recycles more than a few themes with great results, likewise gets plenty of time to shine. Overall, it's a suitably rich mix that's well-balanced yet unpredictable and seems to perfectly preserve a theatrical experience, which means that your neighbors may need to be warned ahead of time. Simply put, crank this one up and enjoy.
Optional subtitles, including English (SDH), are included during the main feature and all extras listed below.
This one-disc release ships in a keepcase with poster-themed cover artwork, a matching slipcover, and a Digital Copy redemption code. The bonus features are surprisingly well-rounded and all are worth a look.
Long-delayed sequels to films rarely work out for the best, with recent successes like Top Gun: Maverick and of course Mad Max Fury Road being the most obvious exceptions. Tim Burton's Beetlejuice Beetlejuice doesn't quite reach those heights but comes awfully close, as its familiar elements -- creative visuals, great characters, Danny Elfman's score -- blend pretty damn well with the new material, even if perhaps one too many subplots are attempted here. There's still a lot to like and Beetlejuice Beetlejuice is anything but overblown, with its surprisingly sleek running time and pinball pacing ensuring that new and old fans alike will be entertained from start to finish. Warner Bros.' 4K is a near-perfect release right out of the gate, offering top-tier A/V merits and plenty of great extras. Firmly Recommended.
1988
MVD Rewind Collection
1988
15th Anniversary Edition
1996
2018
1986
2019
2015-2017
MVD Rewind Collection
2000
The Naughty Cut | Collector's Edition
2015
1967
1987
1963
Restored Edition
1981
2013
1988
The Lordi Motion Picture
2008
Collector's Edition
1984
Uncut
2003
Screwhead Edition
1992
Il rosso segno della follia
1970