7 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
The lives of local outsiders and outcasts violently intertwine when a rare Lakota Ghost shirt falls onto the black market in a small South Dakota town.
Starring: Sydney Sweeney, Zahn McClarnon, Paul Walter Hauser, Halsey, Eric Dane| Crime | Uncertain |
| Comedy | Uncertain |
| Action | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
French: Dolby Digital 5.1
Spanish: Dolby Digital 5.1
English SDH, French, Spanish
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Digital copy
DVD copy
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 4.0 | |
| Audio | 4.5 | |
| Extras | 1.5 | |
| Overall | 3.5 |
Americana was evidently shot in 2022, long before co-star Sydney Sweeney had her brush with memes and internet notoriety courtesy of an ad campaign, but this neo-Western is indeed a film featuring a lot of jeans, though their quality may be debatable. This is a sprawling narrative featuring an ensemble cast that is maybe writer and director Tony Tost's own riff on efforts like Magnolia, wherein a large aggregation of characters without any seeming initial connection end up in a maelstrom of their own making. The story begins in medias res, introducing a sweet little boy named Cal (Gavin Maddox Bergman) who, despite not having the appropriate, well, genes, insists he's the reincarnation of Sitting Bull. Very quickly Cal's already precarious home situation devolves when his addled mother Mandy (Halsey) takes a hammer to the head of her abusive boyfriend Dillon Macintosh (Eric Dane), soon zooming off in his muscle car for safer climes, but more or less abandoning Cal, who claims he has to remain on his "ancestral land". Suffice it to say Dillon turns out to be "not quite dead yet", something Cal's facility with a bow and arrow soon rectifies. This abrupt and disconcerting opening turns out to be a kind of "second chapter" in the tale, that then segues back to pick up various other plot elements before continuing past this particular scenario to involve even more mayhem.


Americana is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 2.39:1. The making of featurette shows Arri cameras, but rather interestingly this apparently had a 35mm "film out" if what I've been gleaning from rather sparse online information is correct. That gives the general appearance here a nicely organic quality, but as perhaps can be made out by close examination of the screenshots I've uploaded to accompany this review, there is something odd going on recurrently toward the right side of the frame in particular, where imagery looks blurry and even refracted, which might suggest a defective lens. That anomaly aside, detail levels are generally excellent and Tost and cinematographer Nigel Bluck make the most of the southwestern locations. This probably intentionally does not offer the crystal clear clarity that typically accompanies digital captures and in fact a lot of shots look deliberately soft.

Americana features a nicely boisterous Dolby Atmos track. Surround activity is consistent, with good attention paid to ambient environmental effects throughout the many outdoor scenes, but with some real energy offered in the absolutely gonzo finale which sees all sorts of gunfire and associated mayhem break out. Both David Fleming's underscore and a number of source cues also confidently reside in the surround channels. Dialogue is rendered cleanly and clearly throughout. Optional English, French and Spanish subtitles are available.


A simmering subtext of cultural appropriation which repeatedly bubbles to the surface of this tale couldn't help but remind me (perhaps appropriately, given the tribe at the center of the film) of Joni Mitchell's great tune Lakota, which included the ultimately unfortunate participation of "Iron Eyes Cody", whom trivia lovers will remember was "outed" as not actually having any Native American ancestry. There's some rather provocative content on tap here, but Tost may actually be a bit too ambitious for his own good in terms of offering so much content and so many disparate characters that things start to fray after a while. Still, this offers some smart writing and good performances, with generally solid technical merits. Recommended.

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